Rome * Die Æsthetik Der Herrschaftsfreiheit (3cd 2011)
Following the ‘route’ Rome has taken with their earlier releases, I did not ignite in enthusiasm when I heard about the new album, especially not when I noticed that it is actually a 3cd! “Die Aesthetik Der Herrschaftsfreiheit” comes in a luxery 3cd box with a shirt and whatnot, but this box is 100 euros new. You can also get the three cds separately, each for the full price of a cd… I have to admit that I first looked up this album on the internet because I was still interested to hear what Rome would sound like today (and then I got the separate cds instead of the box). Of course the band has three full-length cds to their disposal, but I am very happy to be able to say that this new monster-release will probably please both old and new fans. The new fans who have known Rome since they signed on Trisol might be a bit intimidated by the opening of this grand opus. After some spoken word (a sample it seems), the first cd “Aufbruch / A Cross Of Wheat” opens with a noisy martial industrial track that may not conform with some people’s idea of the romantic-sounding band. Fans of old will put up a smile knowing that the band did not entirely disbandon their old sound. Things get better though! Like on the brilliant early releases, there are tracks with the great samples-backgrounds, instantly moistening my eyes. There are also more of the singer/songwriter songs, but also more experimental, almost industrial tracks and great poppy songs. All this is alternated with (either or not backed up by ambient sounds) speaking samples. Indeed, whatever you thought about Rome in the past and think about them now, you might want to listen to these three new cds. Overall “Die Æsthetik Der Herrschaftsfreiheit” might not be a masterpiece like the first cds, but it sounds better to me than the previous releases and there sure are some masterpieces on “Aufbruch / A Cross Of Wheat”, “Aufruhr / A Cross Of Fire” and “Aufgabe / A Cross Of Flowers”.
Links: Rome, Trisol
Rome continues in the direction which has been apparent since the earlier albums. “Nos Chants Perdus” is almost purely a “singer/songwriter” album, again more minimalistic in sound. Unfortunately for the first time, there are songs that do not really appeal to me, but there are also again very nice songs. Towards the end of this 43 minute album come a few unexpected sounds, such as the slightly ‘cabaretesk’ “La Rose et la Hache”. Reuter remains a gifted song-writer, but I am afraid he is drifting in a direction away from my musical taste. This album is already a bit too much popmusic. If this continues, I might not like a possible next album any longer. But of course musicians should not take much heed to that!
The two new tracks on this mcd are like the cover: more minimalistic. There are almost no samples anymore and the two melancholic songs are again more singer/songwriter-like than previous releases. There are some nice string arrangements which also ‘upgraded’ two old songs “Der Brandtaucher” and “Der Erscheinungen Flucht”. The songs are nice, but not as ‘gripping’ as on earlier releases (safe for the strings). Rome might evolve out of the spectre of my musical taste, but first let us see what the future brings.
Starting as the new hope for martial industrial and military pop, the new label advertises for Rome with comparison to Leonard Cohen. You do not have to fear for a bluesy folk sound (nothing bad said about Cohen of course), but indeed, Rome seems to continue to move towards more of a singer/songwriter approach. I was not immediately impressed by the previous release, which Jérôme himself calls a “single”, but I do happen to like to play it. “Flowers From Exile” has blown me away from the first play, just like the earlier releases. Rome has officially turned into a duo, but that does not change much about the sound. As a matter of fact, the sound reminds more of the earlier material than I expected from “To Die Among Strangers”. Like I said, the music is more “singer/songwriter”, mostly just guitar and singing and a bit of drumming, but there are still things going on on the background and Rome does keep a ‘martial’ edge in the use of samples. The songs are great, better than when I heard them at the performance in Leipzig. Just as before, Rome manages to work on my mood (the fact that the music is pretty damn melancholic is a reason that I do not play it all that often). There are nice melodies, good ideas and, like I said before, that ‘full’ sound with things on the background, the details that I have loved Rome for since the beginning. “Flowers From Exile” is the first full length on the German label Trisol, which is Rome’s way of reaching new audiences and they definately deserve that, since they have again proven that they are the better songwriters of our scene. Finally a masterpiece has come from our scene again.
So the new Rome is a mcd, a “teaser” for the new album? Because of the new label perhaps? Four tracks of which two are rerecorded old tracks. Three times poppy neofolk and an ambient/industrial sound collage. Not bad, but I prefered a new full-length. I guess I will have to wait.
I heard that the new Ostara would be ‘back to basics’. I heard a few Myspace tracks and was not really convinced. It is the old minimalistic neofolk style. The album as a whole is a bit better than expected. Most songs are the minimalistic neofolk style, some of them are nice, some are just alright. There are a few more poppy songs and some songs have some nice additions in violin (Matt Howden) or other instruments. I guess this cd is for people who long for the days of “