Tesco comes with a loud debut album of this new German outfit. “Age Of Insignificance” mostly contains violent noise and death industrial, with here and there a little gas off.
After a great death industrial opening follow a couple of noise tracks (less rhythm). These styles alternate until my favorite track of album, the title track, a wall-of-sound type track with brutal vocals in the middle. The vocals are varied from undistorted screaming to talking to a sound that is almost unrecognisable as a voice. There is not much focus on vocals. Where some music in the style has screaming lads from the beginning until the end, Deathpanel usually only has vocals in a part of the track. A couple of tracks contains good sample-work giving these track extra atmosphere.
Of the eight tracks presented, half I like a lot and the other four are still good. Indeed a promising debut.
Late 2013 I heard of Trepaneringsritualen because Distel cooperated to an album. The styles of these projects have little alike. Where Distel is more of an “angstpop” type of project (especially in the earlier days), Trepaneringsritualen makes very dark “death industrial”. I did (nor do) like all material, but some albums are great and live performances are too.
I got quite some material of this “Götisk dödsindustri” project, but it often sounds quite alike. Therefor the project dropped on my priority list.
I am very glad that I gave “Kainskult” a try though! This album sounds as exciting as when I first encountered this project. All known elements are still there, but as Tesco’s selling text says: “somehow it reaches a new level of intensity”. Among earlier material there already were tracks with less distortion, but on “Kainskult” Thomas Ekelund experimented with his common elements again together with a whole host of fellow conspirators. One of them is Michael Idehall who I think sings on the great and moody opening track. Also there is Kim Larsen who I think sings on the magnificent closing track. Between these two tracks there are Trepaneringsritualen tracks that are somewhat more uptempo than the usual material, Ekelund’s vocals moved more towards a kind of rhythmic growling with more text than just a few lines. Walls of dark noise, hammering on metal and well-placed drumming, “Kainskult” without a doubt contains Trepaneringsritualen’s best material so far. Distel returned as conspirator as the mixer of this album
Links: Trepaneringsritualen, Tesco
So does my taste shift towards power electronics legends, or does their sound shift towards my taste? For decades I have known, but never liked, the noise outfits that started in the 1980’ies, but only recently projects such as Consumer Electronics and Sutcliffe Jugend released material that I do like (but I still do not like their entire back catalogues, so perhaps their music is shifting towards my taste). Now The Grey Wolves comes with a great album too. What is too bad is that this is their last album.
“Exit Strategy” does not have the typical TGW sound. There is no earcracking, unstructured noise with brutal vocals. Rather, there is an ‘ambient noise’ type of sound with distorted film samples and here and there a noisy outburst. Some tracks reminded me of Propergol and then I saw that Jérôme Nougaillon indeed produced the album.
Should I make a comparison to Propergol, mostly think of his “United States” (2000) / “Regegade” (2001) period to get an idea of the sound of “Exit Strategy”.
Not all tracks are great, but most of them are. Available from Tesco on vinyl or cd.
In 2015 Unrest Productions release the superb Am Not album “Unpunished”. There appeared to be an earlier album (“First Morbid Vibrations” 2012 Unrest) which is descent, but not as good as “Unpunished”. Now Tesco picked up Am Not to release the third full-length.
I do not remember how I learned of this project, but with the previous and the latest album, this project rapidly rises to being one of my favorite projects. Tamon Miyakita combines elements that I enjoy in music. It is dark, structured, emotional, but most of all, he seems to have something to say. Just music for the sake of music (or anti-music in the case of noise) can be entertaining, but I like it a lot when the artist seems to be concerned with more than just music. Am Not actually has lyrics, lengthy ones too sometimes. Not just the shouted one-liners of many similar artists, but lyrics that make me wonder what the artist means with them. A track opening with a sample of a man telling about him torturing black people, ending with “Leopold reigns today” (on the previous album), a stance against racism, as Leopold was a Belgian king who had a terrible regime in the then-colony Congo?
The new album seems to have more “1984” type lyrics, complaining about the almighty bureaucratic system that is more powerful than politics and a “child” that is summoned to “come home” with what appears to be a dangerous regime.
I do not mind that the lyrics are not ‘clear’ or even if there appears to be something there that I agree with or not, but this underused element of extreme electronic music definitely adds something for me.
The music then. Just as the previous album the music is pretty dense and noisy. The vocals are more often heavily distorted compared the previous album. Some tracks are more power electronics in sound, others somewhat less extreme, but “The Developing World” is certainly no easy-listening. It is abrasively dark though and, I said it before, I have a thing with extreme music with vocals. The new Am Not is, once again, pretty damn good!
Links: Am Not, Tesco
Ke/Hil is Brigant Moloch of Anenzephalia and Wilhelm Herich of Genocide Organ (and Tesco Organisation) and their latest release is not the first that I review.
Contrary to what you may expect, Ke/Hil is not an extreme industrial project like GO or Anenzephalia, but neither as odd and light as Dogpop, another GO/Anenzephalia collaboration. As a matter of fact, where previous Ke/Hil releases contain some harsher industrial and noisy tracks (but nothing like the main projects), “Syn/Anti Drome” is more a ‘noisescapes’ type of album with relatively soft noisy textures and distorted vocals, but not very extreme. Listening to the back catalogue of this project, “Zone 0”, the more industrial album, is with some distance the most interesting to my ears.
The album comes as a cassette with differing artwork and as an lp.
It has been silent around Wolfkind for a while, but here we have a new album. However the music is not hard to describe to people who know Wolfkind, it is hard to categorise it by style.
“Hand Of Death” contains the typical, slow Wolfkind sound with his distinctive voice, but rather than a bluesy feel, this new album has the analogue synth sounds of a style such as minimal wave. In combination, it is not really minimal wave though.
The new album sounds alright, but in my humble opinion, not more than alright.
Links: Bain Wolfkind, Tesco
Well well, a new Isomer, would it be more ambient or more industrial or even noisy?
It looks like Isomer continues the darker and more noisy track. “Three Kestrels” is a fairly noisy album with an industrial approach. Not that it is very extreme, but “ambient noise” is perhaps a bit too ‘ambient a tag’. There are 7 tracks raging from very nice to very good. Indeed, “Three Kestrels” is a very nice album.
Available on vinyl (if you are quick I guess) or Bandcamp download.
Links: Isomer, Tesco
I did not realise this DVD is so old when I ordered it. Here we have a recording of the November 10 2002 concert of Death In June in New York. The DVD lasts for an hour and a half and has a whopping 30 songs. The show was an accoustic one with Douglas P. on guitar (without talking off his fly-net helmet) and John Murphey for some extra sounds.
There are actually songs on this disc that I do not believe I knew. Like I said, they are all minimalistic in sound which makes the DVD a bit lengthy in my opinion and of course there is not a whole lot to see either. It looks like Douglas was in a good mood, since he introduces most songs and asks for requests. This way you get a little bit of background of the songs. This could be a reason to buy this DVD. When you are not an avid Death In June collector, this release gives a descent overview of the discography of the band.
Links: Death In June / NER, Tesco USA
However I can enjoy some pretty extreme music, this German project is often too much for me. Their sound can be chaotic and extreme with high frequencies and little structure. GO also has darker tracks that I do like, but also among their more extreme material there are tracks that I like. The thing is, an album contains perhaps a few tracks that I like and a lot that I do not. Hence, GO albums are a bit of a risk to my ears.
27 Years after their first release (!) there comes an album that is perhaps GO, but maybe not too typical. “Obituary Of The Americas” has more of a wall-of-sound type of noise than their usual chaotic power electronics. Not that this album sounds like Ex.Order, but their style is more comparable that some GO tracks. Compared to other GO material, this new album is easy-listening. You still have to be able to be a musical masochist to enjoy this album though, so be warned! “Death industrial” is probably a good description. Anenzephalia but somewhat harscher.
A track like “I Don’t Wanna Die” is really my kind of noise. A static, pulsating sound, very extreme vocals, a wall of lower frequencies and a lot of samples. Also other tracks are pretty good, extreme, but not over my edge.
I like the ‘new’ sound of GO! It comes as a limited lp and an unlimited cd.
Links: Genocide Organ, Tesco Germany
Tesco ‘went Bandcamp‘ so there is now a whole range of releases that you can buy cheaply to download or play through the Bandcamp app. But not only old releases are available, also new ones.
Ebola Disco and Rope Society are two projects I was curious about and now they released a split 12″ that I can conveniently buy the Bandcamp version of. Both projects are from Australia and Tesco describes them as “two of Australia’s hardest industrial acts”. Indeed, the music is not exactly popmusic, but none of the tracks is so unstructured and harsch that I do not like it.
Ebola Disco contributed one 17 minute track that starts as if the artist’s equipment malfunctions, goes over in dark death industrial with extremely distorted vocals and then continues with the more chaotic not-my-kind-of-noise. Fortunately the end is death industrial again so I can say that this track is quite alright.
Rope Society, then, made slow and minimalistic noise which halfway the first track has fits of power electronic mayhem. The other track is very noisy, but not too extreme and also pretty nice.
So indeed I quite enjoy this release. Now I have to think if I like it enough to get me a copy of the vinyl as well.
Links: Ebola Disco, Rope Society, Tesco