Tag Archives: Profound Lore

Lingua Ignota ‎- Caligula (2019)

Discogs.com

The new Lingua Ignota reminds me even more of Diamanda Galas than the previous album. The music is mostly piano with singing, but frequently Ignota goes over in the tortured screams that we know her for.

Where “All Bitches Die” has more and more pomp electronics, the new album goes back more to what Ignota appears to be trained in: piano and soprano vocals. There is more classical music here too, cello and violin.

It is quite interesting to look at the (guest) musicians by the way. There is a vocalist who Discogs has listed as playing both folk and “harsh noise” and there seem to be links to Uniform and The Body and from there on with hardcore and grind bands. I guess Ignota did not just drop out of some classical music school and started to make extreme vocal music.

“Caligula” is a moody (in an extreme way) album. Not as sonically extreme as the previous album, but certainly vocally.

Links: Lingua Ignota, Profound Lore

Lingua Ignota – All Bitches Die (2018)

Discogs.com

I was looking around for music to add to my “women in extreme music” playlist when I ran into a name that did not ring a bell. Lingua Ignota appears to be a classically trained artist who released two albums by herself. The second album has been rereleased on a label that I did not know, Profound Lore, which does have releases by artists that I do know.

“All Bitches Die” opens with noisy and pompous electronic music which is accompanied by the tortured screams of Ignota. The music leans a bit towards martial industrial, but heavier, especially because of the vocals. Then about halfway the music goes over in piano music with normally sung vocals. Towards the end of the 15 minute track, mayhem returns.

The second track is lot shorter, just below five minutes. It contains singing and some organ on the background. Then follows a longer track, also with singing over piano, but with a noise-backdrop halfway. The screams return in the next track, but more muffled over what could again have been part of a martial industrial album, an organ and dark ambient tones. The last track is more tranquil again.

Like Diamanda Galás we here have a woman wandering through the darker parts of music and using her powerful voice in a variety of ways. I especially enjoy the darker tracks of this album and “All Bitches Die” made me curious about the debut album called “Let The Evil Of His Own Lips Cover Him”.

Links: Lingua Ignota, Profound Lore Records