Tag Archives: Michael Idehall

Michael Idehall ‎– Aion Reborn (mc 2018)

This is not Michael Idehall’s first tape on Raubbau. Here we have a 41 minute tape which regarding style holds the middle between the more soundscapish and the more ritualistic style of Idehall.

I have said something similar about several previous releases, so I just might accept that this is Idehall’s style.

That said, I really like the analogously humming opening soundscape. After this follow tracks which often have the more rhythm-driven style and usually with vocals, but not as dirty as on “No Man’s Land” and not as ‘pompous’ as on “Deep Code”. The tracks are fairly dark and minimalist. Very good to read by! read more

Michael Idehall ‎– Prophecies Of The Storm (2018)

When I reviewed “Machine Spirit Transmission” earlier this month, I said that an album on Ant-Zen was forthcoming. Well, here it is! That other album has Idehall’s wonderful dark ritualistic style, but also the more soundscapish side of the project that is not entirely my thing. “Prophecies Of The Storm” opens somewhat uncommon, a bit IDM-ish. That is not too strange though, since Idehall used to make IDM-like music and elements of this style can be found in his music every now and then. The opening track goes over in a more recognisable approach, but not too typical and pretty damn good. The second track is even greater. It is again a developed Idehall track with the known elements of Michael’s voice, a defining rhythm and repetition, but the details on the background and the noisy tones in this track make it another great one. read more

Michael Idehall ‎- Machine Spirit Transmission (mc 2017)

So how could I miss the latest Idehall until he informed me about it himself? “Machine Spirit Transmission” is a tape on Raubbau, but it is also available on Spotify and I believe I noticed it there, but forgot to listen to it (or something)… And when I look at Discogs, there are more releases that I missed!

Now Idehall is a bit ‘difficult’ to me. He has great ritualistic industrial tracks in a unique style that I love, but also more soundscapish tracks / albums that do not really ‘work for me’. When I put on this release, I expected it to be of the soundscapish type and that I only skipped through and forgot about it. This is not true though. Not entirely at least. read more

Michael Idehall * Solar Symmetries (2016)

This album showed up in my Deezer “hear this”. It appeared to be a remix album and now I see that there is no physical version of this release. That is not too bad, because even though “Solar Symmetries” is nice, it is not a ‘must-buy’.

Remixes by known and new (to me) projects, a couple of doubles in chosen tracks and usually the remixes come nowhere near the original versions, a few exceptions notwithstanding, the tracks of Hadewych and Alvar.

Links: Michael Idehall, Ant-Zen read more

Michael Idehall * Retort Redux (12″ 2015)

I heard about this lp, but because I wanted to wait until I had more things to order, I was a bit late to get myself one of the 150 copies. Only when I got the lp I noticed that there is also an lp + cd version (limited to 50 copies)…

The label :retortae: presents the lp as a “greatest hits” “as well as two tracks not available on any physical matter before and one track which is totally new.” Indeed, most tracks can be found on “Sol” and “Deep Code”. Side A closes with a magnificent track called “Saturnalia” that has been previously released on an mp3 compilation called “Ljudkalendern”. That makes the opening track of side B (“Revelation”), the new track. A very good track as well. … There is another track on side B that I did not know, the rather industrial-sounding “You Are Beyond” which would have fitted well on “No Man’s Land”.
Should you be able to lay your hands on the version with the cd, there are five more tracks. Two of them were previously available on the soundscape “Svartkonster”, one on “Sol” (but then remixed) and two tracks are new. Damn! Or would the tracks on the cd all have the soundscape-style? read more

Michael Idehall * No Man’s Land (cd 2016)

A new Idehall. Would it be a ritualistic soundscape or more in the vein of “Sol” and “Deep Code”? Since it is released by Ant-Zen (in collaboration with Beläten), who also released the two named releases together on one disc, I had hopes for the latter. This is not entirely true though.

“No Man’s Land” in one way holds the middle between the soundscape style and the other style of Idehall, but it actually presents something new as well, a development of style, because the music is still recognisable as coming from Michael Idehall. The sound is still ritualistic and somewhat dark, but it got more of a dirty, industrial touch with squaks, noises and rhythm. Sometimes the music is downright noisy. This new sound is good too. read more

Amalthea * s/t (mc 2015)

Amalthea is Michael Idehall and Æther. Beläten released material of both projects and there is a message of Thomas Ekelund to accompany this cassette, but this self-titled tape was released by a label that is new to me (even though they released a tape with Trepaneringsritualen).

Well then. Michael Idehall records both material that I adore and more monotous ritualistic material that I like less. Æther is also a bit too monotous for my ears and yet I read that the split is somewhat noisy. That is not really the case on side A. The two tracks are soundscapes, mostly with an ‘industrial pulse’. The tracks are nicely dark, perhaps not brilliant but nice to listen to.
The two tracks on side B are indeed quite a bit noisier. They still have the slow rhythm, making what I call ‘noisescapes’. These two tracks are the more interesting of this tape to me. read more

Michael Idehall ‎* Deep Code Sol (cd 2015)

All material has been reviewed before, but this of Idehall is so good that I want to bring it under your attention again now that Ant-Zen put both Beläten tapes on one very nicely packaged cd.

The “Sol” tape has been rereleased before with two extra tracks. These are (unfortunately) not included on this Ant-Zen release. The cd starts with the 2014 tape “Deep Code” and then follows the 2012 tape “Sol”. Idehall also makes ritualistic soundscapes which are too minimalistic for my taste, but the music he recorded for Beläten is about the best music I have heard in quite a while. The sound is somewhere between the “angstpop” sound of other Beläten releases and more ritualistic music. Idehall uses his voice a lot, making an impression like that of the earlier material of Coph Nia; dark, chanting, haunting: brilliant! read more

Michael Idehall ‎* Svartkonster (mc 2014)

The ‘new’ Idehall is less interesting than the two earlier releases. This could be because Discogs may have only listed “Sol”, “Deep Code” and “Svartkonster”, but the material for this last release may not be the last recorded. According to Beläten: “Awhile back Idehall premiered a bunch of new tracks at Repartiseraren. We can now offer these, as well as a handful or remixes of older material for digital purchase.” Besides the Bandcamp release, there are also 23 physical copies. read more

Michael Idehall * Sol (extended) (cd 2014)

The first version of this album was a tape on Beläten. Two years after the initial release the album is slightly extended and rereleased by a sublabel of Cat’s Heaven / VUZ Records. The package is not great. A photocopied A5 booklet with the cd pasted in.

The extension are two tracks put before the original release. The opening track now is a slightly monotous, ritualistic soundscape of 9:29 minutes. The other new tracks is a great and dark piece of noisy ritual music. Then follow the tracks of the wonderfull debut of Idehall. Sometimes somewhat ambient, at other times more industrial or angstpop and always nicely dark. Idehall’s voice definately sets the sound of this project. read more