Nine years after the great album “Miasma” and four years after the “Paradise” 7″ there is finally new material of Herz Jühning.
“Samsara” does not contain any musical surprises, but Jühning made another great album in his distinctive sound. From slow “angstpop” to more industrial sounds and some tracks with a faster pace. Herz Jühning adds his recognisable vocals which are sometimes spoken, sometimes (slightly distorted) screamed. Wonderfully humming analogue equipment, nice details in the background, “Samsara” has got everything that we love Herz Jühning for.
What else to say? Get the album. The vinyl version if you are quick or just buy the cd when you are too late or simply prefer that format like myself.
Links: Herz Jühning, Galakthorrö
Tanz Ohne Musik’s second release on Galakthorrö is a 7″. Four tracks, 33 rounds per minute.
Compared to the previous release on Galakthorrö (“Infinity” cd 2016) the sound is more ‘Galakthorrö’ again. Hints of Haus Arafna and November Növelet are abundant, but leaning more towards Arafna this time. The four tracks from the 7″ are good, maybe in a way more interesting as the album, more like some of the ‘pre-Galakthorrö’ releases.
Of course the 7″ is limited, to 515, but I am sure that Galakthorrö will have a download version available when the physical copies are gone.
Links: Tanz Ohne Musik, Galakthorrö
“Tempted Dissident” already was not the most extreme project on Galakthorrö (but he does not have the ‘minimal wave’ sound of NN), but I have the idea that “Interrogation Gloom” softer than the previous “Comatic Drift”. The music is still minimalistic with simple rhythms and melodies and male vocals, but where previously the vocals were more like talking/singing, on the new album there is more singing. This works better in some tracks than in other.
“Interrogation Gloom” needed a few spins, but it is still a nice album. There are two tracks that I really cannot ‘get into’ (yet?) though.
After a debut 7″ and the announcement that Da-Sein will be the second Galakthorrö project to perform at the Wave Gotik Treffen, here we have the debut full-length of this Spanish duo.
In the first tracks of this album, Da-Sein sounds a lot like November Növelet, both the music and the voice of the female singer. The tracks are nice, but halfway there are some more lively tracks that have a less ‘typical sound’ and they sound more interesting. These tracks are a bit rougher, slightly more industrial, but nothing compared to the violence of other Galakthorrö releases.
When you like November Növelet’s more recent releases, you will most likely enjoy “Death…”, especially when NN got a bit too soft. I do hope that Da-Sein will focus more on their own sound on future releases.
Hermann Kopp is the only ‘atypical’ project on Galakthorrö. The other projects sound quite alike. However this ‘other sound’ is good in a way, Kopp happens to be the only Galakthorrö project that I do not really like… Also it is one of the few projects that also releases material through other labels.
Kopp makes weird music. He experiments with his violin and his voice and mixes that with some sort of soundscapes. The result is interesting, but not always my taste. When you know previous releases of Kopp (on Galakthorrö, I never heard any of his other releases), you will have a fair idea of what the four tracks on “Cantol Y Llantos” sound like.
Links: Hermann Kopp, Galakthorrö
NN has never been a very active project. In 1994 there was the 7″ “More Satanic Heroes”. Five years later the album “From Heaven On Earth”. After that is was silent until the great album “Magic” (2007). A year later the 7″ “Sacred” was presented and yet another 7″ “Heart Of Stone” in 2012. Last year the album “The World In Devotion” was released.
Now, instead of releasing another 7″, November Növelet decided to release a compilation with “The singles 1994 – 2012 – Bonus Material”, the latter (“bonus material”) are three new tracks that were not released on vinyl but on this compilation.
Oddly enough, the 7″s are not presented chronologically, but the other way around. “Heart Of Stone”, “Sacred”, then the noisy sounds of “More Satanic Heroes”. At the end the three newly recorded tracks follow that -of course- have the ‘current’ Növelet sound can be found, so there are some noisy tracks in the middle. The more dramatic / melancholic sound of the “From Heaven On Earth” album is not present on “Unintended By Nature”, so this album is not really an overview of the development of NN.
In my opinion the best material of NN can be found on the albums “Magic” (most of all) and “The World In Devotion”. The songs form more of a unity than on “Unintended By Nature”. There are a few very nice tracks on the 7″s, other tracks are alright. However certainly not bad, the “More Satanic Heroes” tracks are the least of this compilation. The three new tracks are also nice to good, but I would have preferred them to be in the beginning of the cd so that it would have been entirely counter chronological.
Links: November Növelet, Galakthorrö
If I am not mistaken, this is the same duo as Divine Muzak, but Discogs does not ‘say’ that the female halves are the same person. Tanz Ohne Musik has been releasing music since 2011. I ran into their Bandcamp around the time the sound shifted from an alright minimal wave sound to a much more interesting Galakthorrö-like sound. Still, it took until the sound shifted back a bit towards the ‘old sound’ that Galakthorrö showed interest in the project from Romania.
Putting on “Infinity” initially gives the impression that Tanz Ohne Musik went for a more November Növelet style than the tranquil Haus Arafna sound of “Between Our Body Shapes”. As the album continues, it is clear that “Infinity” is more like the last release “Belong” (2014), more like the earlier releases than “Between Our Body Shapes”, but still with “angstpop” elements.
The album is relatively lively / uptempo with a couple of very nice tracks. People who know the project will not hear very big surprises. People who got this album because of the label it is released on, may find that Tanz Ohne Musik is a bit more danceable and accessible than most Galakthorrö music.
Links: Tanz Ohne Musik, Galakthorrö
The Arafnas seem to have been in a romantic mood. November Növelet already was their softer project, but on their latest album both the sound and even more so: the lyrics, seem to have softened somewhat more.
Mrs. Arafna sings on all tracks. Now there is something of a risk, because her voice is not my favourite element of the music of the Arafnas. It sound like she has a herself photographed: a bit dull. (Perhaps on purpose?) Often I am indifferent to them (not annoyed, not overjoyed), here and there her voice does add a good element to the music, so how about on “The World In Devotion”?
The album opens with a soft and not too interesting track/song. After “Be Gratefull To Your Murderer” the tempo goes up and most of the rest of the music is mid-tempo and the sound is very much like the current sound of NN. The music is nicely minimalistic and analogues. However the video that was released recently seemed to have suggested otherwise, NN does not really lean towards the popular sound of “minimal wave”. Mr. and mrs. Arafna keep doing their own thing. The rhythms are relatively complex in some tracks, nice things happen on the background, some songs have simple but catchy melodies and mrs. Arafna sings (and in the video: dances) away, most of the time resulting in nice and moody soft dance songs that will work well on “minimal wave” dancefloors and radio-shows. There may not be a highlight on this album such as the title song of “Magic”, but overall “The World In Devotion” is a more than proper album showing the furry sound of the couple that names itself Arafna.
Links: Haus Arafna, Galakthorrö
Subliminal is the stable link to Galakthorrö’s noisy past. “Sterben Lassen” again presents harsch and distorted noise.
Just as with the previous 7″ “Under Pressure” I expected this 7″ to be harscher and harder to listen to, but again I must conclude that Albert Finch created a wonderfull piece of moody and extreme music. A bit of old-style rhythmical industrial on side A and an emotive wall of sound on side B. And another good track on both sides as well.
Yep, I would like to invite Subliminal to work on another full-length.
Links: Subliminal, Galakthorrö
The latest signing on Galakthorrö comes from Madrid. The four tracks on this 7″ remind of November Növelet. Tranquil analogue rhythms, soft female vocals. Da-Sein is perhaps a bit rougher. The label speaks of “the spirit of the early days of Industrial”. That makes it sound a bit harscher than the sound really is. The atmosphere of the latest November Növelet releases and the sound of the earlier, but less dramatic. Tanz Ohne Musik could serve as comparison as well.
The 7″ is a nice new addition to the Galakthorrö discography.
Links: Da-Sein, Galakthorrö