Galakthorrö found another angstpop project, this time from Iceland. It is not really a new project either. Since 2014 Aska has been releasing material.
“Út Við Sundin Grá” contains slow angstpop, perhaps reminding more of early November Növelet than later material of this Arafna project. Here and there I hear a bit of Maska Genetik as well, Herz Jühning perhaps even?
The album is not a materpiece to my ears, but it is a nice album. It is slower and less ‘disco’ than several other recent Galakthorrö releases, which is good.
Available on cd and mc and vinyl (if you are quick of course).
A while ago Galakthorrö material started to appear on Spotify (not all though), apparently the Arafnas were cooking on something. Then there was a newsletter which included new material, even a new Haus Arafna album! The first since 2011! So then some 7 weeks of impatience before I could finally put the new album in my player.
From “Children Of God” (1998) to “Butterfly” (2003) to “You” (2010) to “New York Rhapsody” (2011), Haus Arafna seemed to have been scraping off some rough edges. There always still were noisy industrial tracks, but there came more and more softer tracks.
When you put on “Asche”, it soon becomes clear that the Arafnas did not scrape off the sharp edges immediately. After two great industrial tracks, the pretty rough “Kreise Um Das Nichts” is presented, which also has the first Haus Arafna official video. The track is not as harsh as Haus Arafna can be though.
So after a first round in the player, I took another spin with my eye on the lyrics. From death to mourning and a lot of misanthrope. After a rough start, the album already gets more melancholic in tone, but combined with the lyrics, the new album is actually pretty depressive.
As we are used to from Haus Arafna, the industrial music is beautifully crafted, magnificently detailed, surprising too, since the sound certainly is not entirely the same as on previous albums. “Asche” contains but one track that can be described as melancholic, but it is certainly not all power electronics here. Also mrs. Arafna’s vocals are remarkably absent. She mostly functions as background singer.
Be all this as it may, the tracks on the new album are superb, but damn this album is heavy.
Nine years after the great album “Miasma” and four years after the “Paradise” 7″ there is finally new material of Herz Jühning.
“Samsara” does not contain any musical surprises, but Jühning made another great album in his distinctive sound. From slow “angstpop” to more industrial sounds and some tracks with a faster pace. Herz Jühning adds his recognisable vocals which are sometimes spoken, sometimes (slightly distorted) screamed. Wonderfully humming analogue equipment, nice details in the background, “Samsara” has got everything that we love Herz Jühning for.
What else to say? Get the album. The vinyl version if you are quick or just buy the cd when you are too late or simply prefer that format like myself.
Tanz Ohne Musik’s second release on Galakthorrö is a 7″. Four tracks, 33 rounds per minute.
Compared to the previous release on Galakthorrö (“Infinity” cd 2016) the sound is more ‘Galakthorrö’ again. Hints of Haus Arafna and November Növelet are abundant, but leaning more towards Arafna this time. The four tracks from the 7″ are good, maybe in a way more interesting as the album, more like some of the ‘pre-Galakthorrö’ releases.
Of course the 7″ is limited, to 515, but I am sure that Galakthorrö will have a download version available when the physical copies are gone.
“Tempted Dissident” already was not the most extreme project on Galakthorrö (but he does not have the ‘minimal wave’ sound of NN), but I have the idea that “Interrogation Gloom” softer than the previous “Comatic Drift”. The music is still minimalistic with simple rhythms and melodies and male vocals, but where previously the vocals were more like talking/singing, on the new album there is more singing. This works better in some tracks than in other.
“Interrogation Gloom” needed a few spins, but it is still a nice album. There are two tracks that I really cannot ‘get into’ (yet?) though.
After a debut 7″ and the announcement that Da-Sein will be the second Galakthorrö project to perform at the Wave Gotik Treffen, here we have the debut full-length of this Spanish duo.
In the first tracks of this album, Da-Sein sounds a lot like November Növelet, both the music and the voice of the female singer. The tracks are nice, but halfway there are some more lively tracks that have a less ‘typical sound’ and they sound more interesting. These tracks are a bit rougher, slightly more industrial, but nothing compared to the violence of other Galakthorrö releases.
When you like November Növelet’s more recent releases, you will most likely enjoy “Death…”, especially when NN got a bit too soft. I do hope that Da-Sein will focus more on their own sound on future releases.
Hermann Kopp is the only ‘atypical’ project on Galakthorrö. The other projects sound quite alike. However this ‘other sound’ is good in a way, Kopp happens to be the only Galakthorrö project that I do not really like… Also it is one of the few projects that also releases material through other labels.
Kopp makes weird music. He experiments with his violin and his voice and mixes that with some sort of soundscapes. The result is interesting, but not always my taste. When you know previous releases of Kopp (on Galakthorrö, I never heard any of his other releases), you will have a fair idea of what the four tracks on “Cantol Y Llantos” sound like.
NN has never been a very active project. In 1994 there was the 7″ “More Satanic Heroes”. Five years later the album “From Heaven On Earth”. After that is was silent until the great album “Magic” (2007). A year later the 7″ “Sacred” was presented and yet another 7″ “Heart Of Stone” in 2012. Last year the album “The World In Devotion” was released.
Now, instead of releasing another 7″, November Növelet decided to release a compilation with “The singles 1994 – 2012 – Bonus Material”, the latter (“bonus material”) are three new tracks that were not released on vinyl but on this compilation.
Oddly enough, the 7″s are not presented chronologically, but the other way around. “Heart Of Stone”, “Sacred”, then the noisy sounds of “More Satanic Heroes”. At the end the three newly recorded tracks follow that -of course- have the ‘current’ Növelet sound can be found, so there are some noisy tracks in the middle. The more dramatic / melancholic sound of the “From Heaven On Earth” album is not present on “Unintended By Nature”, so this album is not really an overview of the development of NN.
In my opinion the best material of NN can be found on the albums “Magic” (most of all) and “The World In Devotion”. The songs form more of a unity than on “Unintended By Nature”. There are a few very nice tracks on the 7″s, other tracks are alright. However certainly not bad, the “More Satanic Heroes” tracks are the least of this compilation. The three new tracks are also nice to good, but I would have preferred them to be in the beginning of the cd so that it would have been entirely counter chronological.