“Incursions” opens brilliantly and brutally. Also “What Are You Waiting For” is a great track. The cooperation with S.T.A.B. Electronics worked out well and (as can be expected) the track is pretty harsh. I am less convinced by the more tranquil tracks, even though I do like the industrial, but not very noisy, “Cruth Do Bhaile”.
Previously I reviewed the “appendix” which also has a more tranquil track that I like less than the other tracks. What occurs to me playing “Incursions” is that the noise on these last two releases is more of the harsh type and less of the structured kind of the two brilliant full-lengths. Even though I do like the more extreme tracks of Am Not, I like the structured tracks a lot better than the more tranquil tracks that seem to have replaced them.
The appendix to the excellent “Unpunished” album comes as a beautiful 10″. It has cards with the lyrics and an A5 booklet with an interview between the label and the project.
The appendix contains four tracks. They are more of the wall-of-sound type than some of the tracks on the cd, but excellently moody and layered like we are used to from this great project.
The 10″ opens with a monologue from “The Singing Detective” slowly going over in a death industrial type of low frequency noise blasts. The vocals are screamed and hardly understandable. The vocals are even more muffled on “Dark Star Kinshasa” which is really a wall of noise. Over on side B follows the only obvious link to the “Unpunished” album (track-wise) with “Extremophilia II”. Where this is a short track on the cd, we now get a longer, pounding track with screamed vocals. Closing with the instrumental “State Funeral”, which is relatively tranquil and a not too interesting track, we close this way too short album. But not to worry, by the time this piece of vinyl arrived, I had heard of a cassette released by Zaetraom, so I guess I better be quick. There was a tape version of “Appendix” limited to 24 copies, so how many copies will there be of “Incursions”?
Three magnificent tracks. Am Not remains perhaps the best new noise project of late.
I got to know Am Not when he released the great second album “Unpunished” (2015). A while ago another good album was released (“The Developing World” 2017). Then I learn that Am Not’s debut tape from 2012 has been rereleased on cd.
I had already heard this 34 minute debut, so I knew it is not as good as the later albums. An artist can develop, right? “First Morbid Vibrations” opens with a great, dark, noise track. Then follows a more ambient track and the third tracks starts off quite quietly too, but we soon go over in complete noise mayhem, a pretty damn dark piece of wall-of-sound style noise. Track 4 is again more ambient and the fifth a somewhat strange kind of fairly extreme noise, but not very chaotic of sound. The closing track is one of these extreme, high-pitched, unstructured noise, the not-my-kind type of noise, tracks, that is to say, I have heard much worse noise. Perhaps I will get used to this track.
It is safe to say that the album starts well, but develops in a negative way, but certainly without getting bad. The larger part is still pretty good. Not as good as the meticulously created later albums and I miss the vocals, but this is a descent document of a time past,
People who are curious about the debut of Am Not can now get a copy on cd.
In 2015 Unrest Productions release the superb Am Not album “Unpunished”. There appeared to be an earlier album (“First Morbid Vibrations” 2012 Unrest) which is descent, but not as good as “Unpunished”. Now Tesco picked up Am Not to release the third full-length.
I do not remember how I learned of this project, but with the previous and the latest album, this project rapidly rises to being one of my favorite projects. Tamon Miyakita combines elements that I enjoy in music. It is dark, structured, emotional, but most of all, he seems to have something to say. Just music for the sake of music (or anti-music in the case of noise) can be entertaining, but I like it a lot when the artist seems to be concerned with more than just music. Am Not actually has lyrics, lengthy ones too sometimes. Not just the shouted one-liners of many similar artists, but lyrics that make me wonder what the artist means with them. A track opening with a sample of a man telling about him torturing black people, ending with “Leopold reigns today” (on the previous album), a stance against racism, as Leopold was a Belgian king who had a terrible regime in the then-colony Congo?
The new album seems to have more “1984” type lyrics, complaining about the almighty bureaucratic system that is more powerful than politics and a “child” that is summoned to “come home” with what appears to be a dangerous regime.
I do not mind that the lyrics are not ‘clear’ or even if there appears to be something there that I agree with or not, but this underused element of extreme electronic music definitely adds something for me.
The music then. Just as the previous album the music is pretty dense and noisy. The vocals are more often heavily distorted compared the previous album. Some tracks are more power electronics in sound, others somewhat less extreme, but “The Developing World” is certainly no easy-listening. It is abrasively dark though and, I said it before, I have a thing with extreme music with vocals. The new Am Not is, once again, pretty damn good!
I was looking much forward to hearing this cd, but it took a while before I could. “Unpunished” was certainly worth the wait!
The album opens with the brilliant title track. A dark rumbling piece of death industrial with calm, clear, spoken vocals with a not-so-calm message. Then Am Not continues with different styles of death industrial and noise, all pretty damn dark. From Operation Cleansweep-like dark noise with distorted vocals to chaotic power electronics with no vocals. Somehow I have something with dark noise with vocals and that is a description for most tracks on “Unpunished”. All well-excuted and moody, so here we certainly have another great noise album.