Skip to content

techno music

v/a * Demolition part 10 (2cd 2008)

The Dutch label The Third Movement releases what I call “post-gabber”. “Gabber” was the biggest Dutch subculture a decade or two ago, but it got too big and exploded and some of the people from that scene continued a bit more underground and with a heavier sound. In 2004 I discovered the superb compilation “Audio Output 3“. Where the first “Audio Output” (2002) proved to be mostly a gabber compilation (hardstyle techno, but too cheerfull for me), part 2 (2004) containing both gabber and “tekno” and therefor much more interesting, part 3 was a complete tekno / industrial techno compilation with some great extreme dance music. Still waiting for “Audio Output 4”, I now discover that another compilation series is put out by The Third Movement, a series that started between the first and second “Audio Output”! In any case, “Demolition part 10” is a 10 euro double cd with great Third Movement artists such as Promo, Peaky Pounder, N-Vitral, D-Passion and The DJ Producer, but also my favourite extreme techno artist Hellfish. Promising! To my big disappointment I hear a step back to the times of “Audio Output 2″ with horrible gabber tracks with those awfull ravy melodies and cheesy samples. Other tracks are great industrial tekno, but the Hellfish tracks are not all that good (neither is his last 12”), the highlights are definately the two DJ Producer tracks. It is funny how thin the line between good tekno and awfull gabber is. There are two tracks of “3 Steps Ahead” that start of in a promising way, but after an ‘announcement’ of gabber elements both tracks because simply horrific, awfull enough to give me a bad temper! I am afraid that the same ‘gabbery feeling’ is to be found in tracks of projects that I normally do enjoy, so do we witness a step back to the times in which hard techno sounded like shit? I hope not and there sure are great tracks here, but I guess I should make my own compilation out of this compilation…
Link: The Third Movement

Neonrain vs HP Unit 14 * Distructured Dance Factory (cdr 2004)

Distructured Dance FactoryLast week I stumbled upon the French distro and label Steelwork Maschine. I never heard of them, nor have I heard of most projects they release and sell. Not having enough time to carefully look through their catalogues, I got a copy of this split cdr. Neon Rain offers some alright to nice rhythmical industrial tracks, HP Unit 14 has more tranquil IDM or drum’n’bass sounds which are not too good. It is always nice to run into new music, but I will have to check if Steelwork also sells really good stuff.
Links: Neonrain, Steelwork Maschine

Imminent * Cask Strength (cd 2009)

Cask StrengthI have gravely neglected the current that I call “rhythmical industrial”, but which since years has been called “rhythmic noise”. I never liked the latter term, since however the style is rather extreme, I seldom found it really noisy. Then again, Winterkälte’s last album (“Disturbance” 2004) is quite noisy and this album of Imminent is too at times. Around 1998/9 I shortly listened to this music. Winterkälte’s “Drum & Noise” (1999), Imminent Starvation’s “Nord” (1999) are great albums, but the “Industrial Frequencies” compilation series and other projects in the style were too tame for me. Another problem that I often had with the style, is that the music is often a dustbin of ideas with tracks stuffed with different rhythms, breaks, sounds, samples and ideas completely losing the idea of ‘danceablity’. My interests shifted to other musical currents and for about 10 years I probably did not even hear a single “rhythmical industrial” release. Then at last years Wave Gotik Treffen I saw Winterkälte which was great. Then I noticed that Imment has a new album so I figured I might want to find out what it is that “rhythmic noise” is nowadays. “Cask Strength” opens with two IDM/breakcore tracks, but then goes on full throttle with extremely loud dance music. A lot of breakbeats (while I love the regular blasts of the “Lost Highway” track) and also more tranquil tracks, mostly very nicely done and a good listen. Danceable? I do not know, sometimes I guess. Apparently with Winterkälte out of the way, Imminent is the best project in this style. Ironically too by the way, since both Winterkälte and Imminent are the projects that have made this music since 1993/4 while all the later bands are less skilled to make this kind of music. Too bad in a way, since I have the same with other styles (harsch EBM, old Wumpscut style for example, noone ever topped the earlier releases, especially not Ratzinger himself), but at least Imminent has made a new release! However much I like this music when it is well done, just as with extreme tekno or power electronics, I will not play a release such as this too often, since I usually feel like listening to a little more easy music. In any case, should you -like me- have missed the last 10 years of “rhythmical industrial”, this new album will not sound shockingly new, but Moreau is still a guy to make this sound good.
Links: Imminent, Ant-Zen

Synchro Mode * Rüsselkäfer (cd 2009)

RüsselkäferSo Argentina also offers loud electronics. I did not know Synchro Mode, nor the “new and promising harsh electronic label from USA, Soviet Media Kontrol”. No worries of course, since Synchro Mode offers “strong rhythmic noise tunes with breakcore influences”. Fortunately there are not breakcore breaks in all tracks, most of the tracks are more of a Winterkälte harsch industrial style which is not bad at all. The result is pretty energetic and enjoyable. The tracks have a varying length (4 to 11 minutes) and enough variation to keep my attention. An interesting release in the style. It seems that the earlier releases can be downloaded from the project’s website, but I have not tried that yet.
Links: Synchromode, Soviet Media Kontrol

Prodigy * Invaders Must Die (cd 2008)

Invaders Must DieFive years after the previous album I had expected some more attention to the new album of the Prodigy. In fact, I had to search to find a copy in one of the local cd-shops. “Invaders Must Die” is worth the effort though. Continueing the development in style, but this time with many references the earliest material, the new album contains nicely explosive “electro punk”. On Youtube you can already watch two of the videos that come on the DVD, “Invaders Must Die” and “Omen”, the first two tracks. When you like these two, you can savely buy the rest of the album. “Invaders Must Die” might for the first time not put all the previous releases in its shadow, but it is a great album. A bit short though, 45 minutes.
Links: The Prodigy, Take Me To The Hospital

Cock Rock Disco, more free music

Cock Rock Disco

I do not visit the Cock Rock Disco website enough I guess. When I did last week I noticed that there are 7 new free releases since the last time I looked. They are mostly mix cds and not all as extremely breakcore as often happens on this label. As a matter of fact, there seem to be more DJ Donna Summer ideas here, with mixing the weirdest and silliest tracks from soul to AC/DC, happy hardcore and speedcore. Unfortunately the DJs are not as gifted as DJ Donna Summer, the label owner. Kid Kameleon has a rather standard mix if you have followed the label. All kinds of popmusic mixed with a regular beat. The Beast Within is a mix of CRD project and does contain the more extreme forms of electronic music. There seems to be a (new?) liking for electronically made metal, but mostly you will hear the extreme breakcore that you might know from this label. Projects such as The Teknoist, Duran Duran Duran, Bong-Ra, along with new and crazy names such as Toecutter and DJ Floorclearer. There are some way too unstructured f**ked up tracks, but there are also surprisingly calm tracks this time. Another nice free compilation of extreme music. Nero’s Day In Disnleyland is a quite typical CRD mix with music varrying from The Cure and Skinny Puppy to Hole and Morrisey to a whole range of bands that I don’t know, hiphop, rap, soul, jazz, rock, metal; all very weird of course, but not mixed together too well; it just sounds like a weird bunch of musical styles. DJ Rainbow Ejaculation has got to be a country mate, since (s)he mixes the most faulty happy hardcore of 12 years ago that I can not image ever left our country. People of my age (well 30+) will recognise many things that have been repressed from our memories and all that layered with “gabber” beats, truely awfull 🙂 . CDR then “is a Japanese dude who has been fucking Amen breaks for years…” and so he does with his extreme breakcore “CDR on CRD”. Way too chaotic for my liking, but as often with these kind of releases, it contains weird findings and crazy humour, but musically all build around the same breakbeat. And yes, there is some more crazy free stuff there, so just have a peek if you are interested in (a new kind) of digital extremism.
Cock Rock Disco believes in free music!

AvoidAudio * The Idea Is Being Killed By Another Thought (cd 2008 heilskabaal)

  • idm

Like I wrote earlier, HeilsKabaal is an “ambient/ noise/ drone/ audio-collage/ fieldrecording” label. In my opinion AvoidAudio does not really fit that picture. What I hear is good old “idm“, or “intelligent dance music”. The more tranquil projects in this style have always used stretched sounds on the background of their cut-up rhythms and the same goes for AvoidAudio. IDM, wasn’t that somthing of 8 years ago? I haven’t really followed it and I don’t know if the projects of back then still have the same sound, but the way I see it, AvoidAudio is at best a “vintage” IDM project. Not that “The Idea…” is a bad album, it’s just not very original and I don’t even have such a big IDM discotheque. I guess I expected more of an “ambient/ noise/ drone/ audio-collage/ fieldrecording” album with IDM elements. Oh well, let’s say: “for vintage sake”.
AvoidAudio, HeilsKabaal

Cock Rock Disco believes in free music


Cock Rock Disco, a label with an stupid name, but interesting music. From extreme breakcore, to more weird poppy things like Jason Forrest and About. Every once in a while CRD puts some free music on their website, so it is nice to be able to download some different music from time to time. In the course of a few months I collected the following free releases:
“Rock Rock Rock”, a compilation with remixes of DJ Donna Summer’s track with the same title. In style this album goes from happy hardcore, to extreme breakcore, softer experimental dance music and much in between.
The Teknoist “Cock Rott Columbo”. This actually reminds quite a bit of Hellfish. Extreme, loud, odd samples and relatively danceable, because there are many ‘straight beats’. Not as good as Hellfish, but this album comes pretty close.
DJ Donna Summer (also Jason Forrest and the man behind the label) earlier made a magnificent “BootyBreakTranceClubCore-Mix”, a completely “ADHD” mix with the weirdest tracks. This time the sound is more (happy) hardcore and though nice, not as good as the earlier mix.
Dev/Null “92-94 Oldschool Jungle Mix”. Dev/Null can makes some serious breakcore, but here we get his influences in the form of “oldschool jungle”. Remember “The Prodigy Experience”? Well, the “rave” and “jungle” (nowadays called “drum & bass”) are put together to a 48 minute mix. Funny, but not great.
Ladyscraper “The Death Of Mary Poppins”. Here we have it, some of the most extreme and f*cked up breakcore. No regular beats here, no returning themes, no melody, nothing of that all. This is Aphex Twin going berzerk or Squarpusher in overdrive. Too much for me, I might add. I can enjoy these twisted electronics, but I prefer some regularity here and there too and that is why I love Hellfish. Ladyscraper is something that you actually shouldn’t listen to get acquinted with the style, because it is about the extreme of it.

Since it is all free, have a try if you are up for new and extreme music. CRD also has paid download releases and a back-catalogue large enough to try a few things. Also more free music (including a label compilation), so I would say: have a look at the labels free music page.

About * Bongo (online album 2007 cock rock disco)

I know this band from their brilliant contribution to the free Cock Rock disco compilation. It was not until last week that I started to ‘Google’ the band, found out that they are from Amsterdam and that there is an album available. Like all Cock Rock releases, this is an online album. Whereas “Think Niles Drink” is a very ‘rocky’ and energetic track (with a great video), the rest of the album goes from weird poppy ADHD to more tranquil tracks. It all is not completely unlike Jason Forrest (see elsewhere) who also runs the label. In any case, something new seems to be happening, a mix between techno/breakcore and lollypop (catchy melodies, simple lyrics) completely with guitars and background vocalists. I haven’t decided if I like this album better than Forrest’s own “Shamelessly Exciting”, but “Bongo” sure is a wonderfull album if you like some weird (and happy) pop music every once in a while.
Links: About, Cock Rock Disco
-4-

Jason Forrest * Shamelessly Exciting (cock rock disco 2006 online album)

Jason Forrest is also known as DJ Donna Summer under which monicker he makes ADHD mixes between techno, breakcore, soul, jazz and whatever he can lay his hands on. A few years ago Forrest decided to form a one-man-band under his own name. “Shamelessly Exciting” is a complete novelty (as far as I know) in the music bizz. Forrest mixes fucked-up breakcore beats with poprock guitars, punk samples and towards the end the album gets a bit pop-idm-jazz-like. Eh? Hard to describe, but energetic, fresh and magnificent.