As before, some tracks of the new album have been made available earlier as singles. These tracks already gave the idea that the band again took a step away from “total sonic annihilation”. The same was true in 2015, but “Transfixion” still contains some descent mayhem. Not so on “Pinned”…
Sqürl makes very slow, (mostly) minimalistic, instrumental drone / stoner / psychedelic rock music that fits “Only Lover Left Alive” perfectly. The band produced a couple of EPs: “#1”, “#2”, “#3” and now “#260”. There are two full-lengths. One is the soundtrack of the said film, the other a live recording. The ‘ambient rock music’ works well as background music, it is moody and somewhat dark. “#260” Does not contain my favorite Sqürl music, but it certainly is a nice album to listen to.
I thought I knew this band because I listened to them when I noticed them on the schedule of the 2016 Wave Gotik Treffen. I do not remember seeing them though and I cannot find confirmation that they played either. Maybe another festival?
Soviet Soviet neither is the old wave-band I thought it was. Their debut is from 2009 and “Endless” is the third full-length. Like on other albums that I heard, the band makes a nice piece of 1980’ies type wave music with high-pitched guitars and also quite distinct high-pitched vocals. The music is a bit too ‘wavey’ to be shoegaze, but the term “post punk” is often used to describe them.
The music is largely instrumental, slow and psychedelic, but on a few occasions there are metal-like eruptions and singing by Marthynna and less frequently Herr Julius.
Like with most Infinite Church albums I find “Such & Ordnung” alright, but not great. Good to listen to a couple of times, but not much more than that.
Links: Der Blutharsch / WKN
It is odd how the music business works nowadays. On Deezer a Duchess Says single became available a while ago. “Negative Thoughts” announced an upcoming album. Then a little later the album is announced on Bandcamp and can be preordered. One track could be listened for free, another (“Negative Thoughts”…) after you preordered the album. Now the album is out and you can listen to it entirely on Bandcamp without buying it.
“Sciences Nouvelles” is (like previous albums) is short only 36 minutes. Two tracks I already knew (see above), two tracks can also be found on the split with Prince Harry.
I discovered this noisy band a couple of years ago when I was looking for electropunk. They were formed in 2009 and have released their third full-length in four years time. The band uses guitar-noise that may remind of a band like Swans here and there, but they have also got ‘pulsating electronics’ which are closer to a band like zZz. Sometimes the sound goes in the direction of ‘electropunk’, at other times the band has more of a noise-rock sound. There are also softer, more experimental tracks.
Side A mostly contains reworkings of old tracks such as Blitzkrieg Baby and Warm Leatherette, but also new (or at least unreleased) tracks like Douleur and 8 P.M. Daily News. This side has more of the ‘soft side’ of Pasquier with also a bit of new elements here and there.
Then we flip over to side B which contains a live recording from a Wien/Vienna show in April 2011. The tracks here come both from earlier and more recent albums. Live Pasquier can be nicely industrial, raw and energetic (I remember a great show at the 2010 Summer Darkness Festival in Utrecht, Netherlands). The recordings do not sound as raw as I remember the Utrecht show, but I prefer this side over side A. The live recordings have an alright sound, but the oddly faded applauses are a bit strange.
I have known this band for a while. I ran into them when digging through the ‘minimal wave scene’, but this scene is a bit wider concerning musical styles. The same can be said about The KVB, because they do not really make ‘minimal wave’, but rather some sort of ‘shoegaze’. Over the years I have read all kinds of descriptions for music from that corner. “Ghostwave”, “witch-wave” and whatnot.
Basically the music of The KVB is electronics and a (bass) guitar. What you see more often from this angle of music, it is a boy/girl duo. Music-wise you may think of The Soft Moon and in a far distance A Place To Bury Strangers. More comparable is some of the music released by Aufnahme + Wiedergabe.
The Dead Weather is one of my favourite poprock bands. The band members play in a range of other bands, not the least bands either. Of course there is Jack White of The White Stripes, The Raconteurs, etc., etc. Then we have Alison Mosshart of The Killers and some other bands. Dean Fertita of Queens Of The Stoneage, The Raconteurs, etc. Last but not least Jack Lawrence who also plays in The Raconteurs and a handfull of other bands. Several of the names bands have nice songs, but nothing like The Dead Weather.
Because all band members are busy, it took five years before The Dead Weather released another full-length. In that time two singles were released and recently tracks from the then upcoming album were already available. Because of this I already knew a large part of “Dodge And Burn”.
When my eye fell on this 7″ in the shop of Aufnahme + Wiedergabe, I did not know that it is actually a brand new 7″. Some three years after lp (click on the bandname to read the review) there is new material of Black Bug.
The title track of this 7″ is an uptempo and nicely raw sounding electropunk track. Side B, “Push You”, sounds more like that wave-sound that is so popular nowadays. It is not really “minimal wave” that I used as a tag, but more like the style between shoegaze-rock energy and minimal wave, perhaps reminding a bit of some material of The Soft Moon. So what do they call that these days? “Now-wave”? “Ghost wave”? No matter, as long as it is good and that certainly goes for this 7″.