Category Archives: noise

Control, Geneviéve Pasquier, Kommando – Cold War, Hot Love (12″ 2018)

Well well, a collaboration album between three industrial giants: Thomas Garrison, Geneviève Pasquier and Dan Courtman. Their respective projects (that is to way, one of each), are named, so would the result be collaborations, or tracks of each project? I am not entirely sure!

Among the eight tracks it is fairly easy to recognise the different styles. There are wall-of-noise type tracks that remind of Control. There is one Pasquier track which is fairly industrial in sound on her scale, but it is still Pasquier. Some industrial tracks obviously have Courtman’s vocals. Over the entire album, it looks like Garrison had quite some influence. Of course we all know that our friendly Thorofon couple also does not shun sonic brutality. Perhaps the tracks are collaborations after all. read more

Deathpanel – Age Of Insignificance (cd 2018)

Tesco comes with a loud debut album of this new German outfit. “Age Of Insignificance” mostly contains violent noise and death industrial, with here and there a little gas off.

After a great death industrial opening follow a couple of noise tracks (less rhythm). These styles alternate until my favorite track of album, the title track, a wall-of-sound type track with brutal vocals in the middle. The vocals are varied from undistorted screaming to talking to a sound that is almost unrecognisable as a voice. There is not much focus on vocals. Where some music in the style has screaming lads from the beginning until the end, Deathpanel usually only has vocals in a part of the track. A couple of tracks contains good sample-work giving these track extra atmosphere. read more

Am Not – First Morbid Vibrations (2012/2017)

I got to know Am Not when he released the great second album “Unpunished” (2015). A while ago another good album was released (“The Developing World” 2017). Then I learn that Am Not’s debut tape from 2012 has been rereleased on cd.

I had already heard this 34 minute debut, so I knew it is not as good as the later albums. An artist can develop, right? “First Morbid Vibrations” opens with a great, dark, noise track. Then follows a more ambient track and the third tracks starts off quite quietly too, but we soon go over in complete noise mayhem, a pretty damn dark piece of wall-of-sound style noise. Track 4 is again more ambient and the fifth a somewhat strange kind of fairly extreme noise, but not very chaotic of sound. The closing track is one of these extreme, high-pitched, unstructured noise, the not-my-kind type of noise, tracks, that is to say, I have heard much worse noise. Perhaps I will get used to this track. read more

Detrimental Effect – To Brandon Bryant (mc 2017)

Once again thanks to Noise Receptor for bringing this tape to my attention. It was Noise Receptor who introduced me to Am Not and hence Unrest Productions, now I learn about an Unrest sublabel, Unsound.

What is a bit weird is that Unrest releases cds, vinyl and tapes and Unsound also releases tapes and according to Discogs also vinyl. Noise Receptor understands that Unsound aims at cheaper productions that can be released with higher speed. Indeed, the three Unsound tapes that I got come in cardboard sleeves with black and white printing, while the Unrest tapes that I have come in a normal case. read more

Trepaneringsritualen – Kainskult (cd 2017)

Late 2013 I heard of Trepaneringsritualen because Distel cooperated to an album. The styles of these projects have little alike. Where Distel is more of an “angstpop” type of project (especially in the earlier days), Trepaneringsritualen makes very dark “death industrial”. I did (nor do) like all material, but some albums are great and live performances are too.

I got quite some material of this “Götisk dödsindustri” project, but it often sounds quite alike. Therefor the project dropped on my priority list. read more

The Grey Wolves – Exit Strategy (cd 2017)

So does my taste shift towards power electronics legends, or does their sound shift towards my taste? For decades I have known, but never liked, the noise outfits that started in the 1980’ies, but only recently projects such as Consumer Electronics and Sutcliffe Jugend released material that I do like (but I still do not like their entire back catalogues, so perhaps their music is shifting towards my taste). Now The Grey Wolves comes with a great album too. What is too bad is that this is their last album. read more

Abscheu – Pretense (mc 2017)

Unrest may not be a guarantee for a good release, but of the labels that I (relatively) recently discovered, Unrest has a descent success rate.

Here we have the second release of Abscheu, both tapes on Unrest Productions. I do not know the debut, but judging the new tape, it may be a good idea to get a copy. “Pretense” is limited to 141 copies though, so perhaps “Breviary Of Chaos” might well be sold out.

Similar to other Unrest releases, Abscheu presents great tracks and not-my-kind-of-noise tracks (chaotic, high frequencies, etc.). The thing is, there are some great death industrial things here, perhaps even reminding of Ex.Order. Other tracks have a bit of that structured noise sound of Am Not, the project that acquainted me with Unrest Productions. read more

Am Not ‎* The Developing World (cd 2017)

In 2015 Unrest Productions release the superb Am Not album “Unpunished”. There appeared to be an earlier album (“First Morbid Vibrations” 2012 Unrest) which is descent, but not as good as “Unpunished”. Now Tesco picked up Am Not to release the third full-length.

I do not remember how I learned of this project, but with the previous and the latest album, this project rapidly rises to being one of my favorite projects. Tamon Miyakita combines elements that I enjoy in music. It is dark, structured, emotional, but most of all, he seems to have something to say. Just music for the sake of music (or anti-music in the case of noise) can be entertaining, but I like it a lot when the artist seems to be concerned with more than just music. Am Not actually has lyrics, lengthy ones too sometimes. Not just the shouted one-liners of many similar artists, but lyrics that make me wonder what the artist means with them. A track opening with a sample of a man telling about him torturing black people, ending with “Leopold reigns today” (on the previous album), a stance against racism, as Leopold was a Belgian king who had a terrible regime in the then-colony Congo?
The new album seems to have more “1984” type lyrics, complaining about the almighty bureaucratic system that is more powerful than politics and a “child” that is summoned to “come home” with what appears to be a dangerous regime. read more

Uncodified * Maybe All Is Not Completed (cd 2016)

I ran into Uncodified because I checked to see what Unrest Productions were available from the Tesco mailorder. Uncodified proves to be a productive producer. There is even a more recent album on the same label.

“Maybe All Is Not Completed” starts with a tranquil beat, but soon adds some noisy samples. Even though the opening track gets harscher towards the end, it can best be described as “ambient noise”. Nice, moody, dark and a bit ‘filmographic’.
The second track is more of a typical noise track. It is not too chaotic though and an alright track.
More of a “death industrial” sound comes at the third track, a great wall of noise. read more

Iron Fist Of The Sun ‎* Blush (cd 2016)

Like the other IFOTS album that I reviewed, “Blush” contains older material. “Blush” was previously released in 2010 as a cassette on the same label.

The other album that I reviewed was released on Cold Spring, just like Unrest Productions from the UK, but broader and bigger a label. Again like the other album, “Blush” has a mixed, musical approach. It opens very noisy, but the second track is more an ‘ambient noise’ kind of track (with one clear sound). The rest of the album mostly has fairly simple and repetative tracks, sometimes very noisy, sometimes less so. The vocals are almost absent and there are not really tracks that I like a lot. The best track is probably the closing one. The album is alright, but not really my thing. read more