Category Archives: minimal wave

Tanz Ohne Musik – Night (7″ 2018)

Tanz Ohne Musik’s second release on Galakthorrö is a 7″. Four tracks, 33 rounds per minute.

Compared to the previous release on Galakthorrö (“Infinity” cd 2016) the sound is more ‘Galakthorrö’ again. Hints of Haus Arafna and November Növelet are abundant, but leaning more towards Arafna this time. The four tracks from the 7″ are good, maybe in a way more interesting as the album, more like some of the ‘pre-Galakthorrö’ releases.

Of course the 7″ is limited, to 515, but I am sure that Galakthorrö will have a download version available when the physical copies are gone. read more

Da-Sein * Death Is The Most Certain Possibilty (cd 2017)

After a debut 7″ and the announcement that Da-Sein will be the second Galakthorrö project to perform at the Wave Gotik Treffen, here we have the debut full-length of this Spanish duo.

In the first tracks of this album, Da-Sein sounds a lot like November Növelet, both the music and the voice of the female singer. The tracks are nice, but halfway there are some more lively tracks that have a less ‘typical sound’ and they sound more interesting. These tracks are a bit rougher, slightly more industrial, but nothing compared to the violence of other Galakthorrö releases. read more

v/a * Modern Movement (cd 2013)

I usually do not review material that is ‘old’, but I actually thought this was a recent release when I ordered it. Besides, inspite its limitation to 400 copies, there are apparently still copies available of this release. Many even, if the number on my copy is has the highest sold number yet.

Aufnahme + Wiedergabe is a relatively young label from Germany. I love their name which is makes a great wordplay reference to Haus Arafna (Aufnahme + Hingabe, but then made into ‘recording + playing back’). Two years after their founding, they released this scene-overview. read more

Bain Wolfkind * Hand Of Death (cd 2017)

It has been silent around Wolfkind for a while, but here we have a new album. However the music is not hard to describe to people who know Wolfkind, it is hard to categorise it by style.

“Hand Of Death” contains the typical, slow Wolfkind sound with his distinctive voice, but rather than a bluesy feel, this new album has the analogue synth sounds of a style such as minimal wave. In combination, it is not really minimal wave though.

The new album sounds alright, but in my humble opinion, not more than alright. read more

November Növelet ‎* Unintended By Nature (cd 2016)

NN has never been a very active project. In 1994 there was the 7″ “More Satanic Heroes”. Five years later the album “From Heaven On Earth”. After that is was silent until the great album “Magic” (2007). A year later the 7″ “Sacred” was presented and yet another 7″ “Heart Of Stone” in 2012. Last year the album “The World In Devotion” was released.
Now, instead of releasing another 7″, November Növelet decided to release a compilation with “The singles 1994 – 2012 – Bonus Material”, the latter (“bonus material”) are three new tracks that were not released on vinyl but on this compilation. read more

Tanz Ohne Musik * Infinity (cd 2016)

If I am not mistaken, this is the same duo as Divine Muzak, but Discogs does not ‘say’ that the female halves are the same person. Tanz Ohne Musik has been releasing music since 2011. I ran into their Bandcamp around the time the sound shifted from an alright minimal wave sound to a much more interesting Galakthorrö-like sound. Still, it took until the sound shifted back a bit towards the ‘old sound’ that Galakthorrö showed interest in the project from Romania.

Putting on “Infinity” initially gives the impression that Tanz Ohne Musik went for a more November Növelet style than the tranquil Haus Arafna sound of “Between Our Body Shapes”. As the album continues, it is clear that “Infinity” is more like the last release “Belong” (2014), more like the earlier releases than “Between Our Body Shapes”, but still with “angstpop” elements. read more

The KVB * Of Desire (cd 2016)

I have known this band for a while. I ran into them when digging through the ‘minimal wave scene’, but this scene is a bit wider concerning musical styles. The same can be said about The KVB, because they do not really make ‘minimal wave’, but rather some sort of ‘shoegaze’. Over the years I have read all kinds of descriptions for music from that corner. “Ghostwave”, “witch-wave” and whatnot.

Basically the music of The KVB is electronics and a (bass) guitar. What you see more often from this angle of music, it is a boy/girl duo. Music-wise you may think of The Soft Moon and in a far distance A Place To Bury Strangers. More comparable is some of the music released by Aufnahme + Wiedergabe. read more

Violence Conjugale ‎* Vices Et Mensonges (12″ 2016)

I have known Violence Conjugale for a while. They have one brilliant and several nice tracks. They make something between “minimal wave” (in the slower tracks) and “old style EBM” (in the faster tracks) plus a sound of their own. This ‘minimal wave scene’ is an odd scene. I just took this project to be from that corner and now they share labels with Duchess Says. Also the previous release from 2012 is (based on the label) more to be placed in the “electropunk” scene and now again. read more

Metroland * Things Will Never Sound The Same Again (cd 2016)

Four years ago Metroland released the nice album “Mind The Gap”. I saw them live at the Summer Darkness festival in Utrecht and I really like the Kraftwerk sound of the project. The projects name and all the tracks were ‘metro-themed’, the music analogue minimalistic and danceable. Also live Metroland had the static Kraftwerk-look.

Looking at Discogs I apparently missed most releases. I only know the “Thalys” box (2014) the music from which is alright (apparently I fogot to review it). read more

November Növelet * The World In Devotion (cd 2015)

The Arafnas seem to have been in a romantic mood. November Növelet already was their softer project, but on their latest album both the sound and even more so: the lyrics, seem to have softened somewhat more.

Mrs. Arafna sings on all tracks. Now there is something of a risk, because her voice is not my favourite element of the music of the Arafnas. It sound like she has a herself photographed: a bit dull. (Perhaps on purpose?) Often I am indifferent to them (not annoyed, not overjoyed), here and there her voice does add a good element to the music, so how about on “The World In Devotion”? read more