Category Archives: industrial

Control, Geneviéve Pasquier, Kommando – Cold War, Hot Love (12″ 2018)

Well well, a collaboration album between three industrial giants: Thomas Garrison, Geneviève Pasquier and Dan Courtman. Their respective projects (that is to way, one of each), are named, so would the result be collaborations, or tracks of each project? I am not entirely sure!

Among the eight tracks it is fairly easy to recognise the different styles. There are wall-of-noise type tracks that remind of Control. There is one Pasquier track which is fairly industrial in sound on her scale, but it is still Pasquier. Some industrial tracks obviously have Courtman’s vocals. Over the entire album, it looks like Garrison had quite some influence. Of course we all know that our friendly Thorofon couple also does not shun sonic brutality. Perhaps the tracks are collaborations after all. read more

Trepaneringsritualen / Distel ‎– A Knife In Sound (12″ 2018)

I have shaped vinyl, even a square, flexible one, but I do not believe I ever saw vinyl which has the music on the outside and the shape on the inside. As you can see on the image that I got from Discogs, there is no material surrounding the arrows. A nice little joke.

Distel usually ends his shows with a Coil cover, but I must say that I am not sure if that is the track that he put on this Coil inspired split 12″. Distel took a stab at “Solar Lodge” and Trepaneringsritualen (on side A by the way) at “A Cold Cell”. read more

Michael Idehall ‎– Aion Reborn (mc 2018)

This is not Michael Idehall’s first tape on Raubbau. Here we have a 41 minute tape which regarding style holds the middle between the more soundscapish and the more ritualistic style of Idehall.

I have said something similar about several previous releases, so I just might accept that this is Idehall’s style.

That said, I really like the analogously humming opening soundscape. After this follow tracks which often have the more rhythm-driven style and usually with vocals, but not as dirty as on “No Man’s Land” and not as ‘pompous’ as on “Deep Code”. The tracks are fairly dark and minimalist. Very good to read by! read more

Blitzkrieg Baby – War Gods (mc 2018)

Blitzkrieg Baby again releases a tape through Beläten. “War Gods” comes quite naturally after the previous Beläten tapes with a mix between “industrial disco” and more minimalistic tracks. And of course there are the known Blitzkrieg Baby vocals.

The opening track is a recognisable Blitzkrieg Baby track with repetitive music, a steady rhythm, an organ-like sound and the typical vocals. Then follow two track revolving around a repeated sound either or not with vocals. The best track is “Bott Hammer Kiss” which has a much more industrial style. The closing track is less ‘disco’, but certainly rhythmical (slow though) with whispered vocals. read more

Michael Idehall ‎– Prophecies Of The Storm (2018)

When I reviewed “Machine Spirit Transmission” earlier this month, I said that an album on Ant-Zen was forthcoming. Well, here it is! That other album has Idehall’s wonderful dark ritualistic style, but also the more soundscapish side of the project that is not entirely my thing. “Prophecies Of The Storm” opens somewhat uncommon, a bit IDM-ish. That is not too strange though, since Idehall used to make IDM-like music and elements of this style can be found in his music every now and then. The opening track goes over in a more recognisable approach, but not too typical and pretty damn good. The second track is even greater. It is again a developed Idehall track with the known elements of Michael’s voice, a defining rhythm and repetition, but the details on the background and the noisy tones in this track make it another great one. read more

Ausströmen – Immobilise (cd 2018)

A pre release review!
A while ago a young lady posted a couple of tracks of this British noise project in Haus Arafna related Facebook groups over a period of time. Especially the first tracks were pretty mindblowing wall-of-sound type noise with aggressive vocals. I shared the tracks on the Tesco Facebook page and like to think that this helped to get Ausströmen on the Projekt Neue Ordnung II compilation.

Last week Ausströmen put the forthcoming debut album on Soundcloud. The debut will be a self-released cdr available in a limited edition of 50 copies from April 20th. read more

Nordvargr – Metempsychosis (cd 2018)

This album sounds a bit like a companion to “Kainskult” of Trepaneringsritualen. Even though Spotify lists TxRxP’s cooperation for only one track, I have the idea that all vocals are done by Ekelund. Otherwise Nordvargr’s voice sounds very similar!

“Metempsychosis” in some tracks sounds like the more tranquil tracks of “Kainskult”, very dark, with similar sounds and especially with similar vocals. In other tracks there is more of the dark ambient sound of “The Secret Barbarous Names” and towards the end some more experimental (technoish) sounds that Nordvargr sometimes blends into his music. This does result in some nice sounds though. read more

Michael Idehall ‎- Machine Spirit Transmission (mc 2017)

So how could I miss the latest Idehall until he informed me about it himself? “Machine Spirit Transmission” is a tape on Raubbau, but it is also available on Spotify and I believe I noticed it there, but forgot to listen to it (or something)… And when I look at Discogs, there are more releases that I missed!

Now Idehall is a bit ‘difficult’ to me. He has great ritualistic industrial tracks in a unique style that I love, but also more soundscapish tracks / albums that do not really ‘work for me’. When I put on this release, I expected it to be of the soundscapish type and that I only skipped through and forgot about it. This is not true though. Not entirely at least. read more

v/a * Industrial Soundtrack For The Urban Decay (dvd 2015)

Like “The Sound Of Progress” a documentary about industrial music. Amélie Ravalec and Travis Collins interviewed some industrial icons and cut these interviews with old footage. The result looks a bit messy and the old footage is always way too short and cut-off to go back to the interview.

The documentary takes 52 minutes. The 30 minute bonus material are the interviews in their entirety. There is footage of and/or interviews with Throbbing Gristle, Cabaret Voltaire, NON, SPK, Test Dept, Clock DVA, Re/Search – V Vale, Z’EV, Click Click, Sordide Sentimental, Hula, The Klinik, Ant-Zen, Orphx, In The Nursery and Prima Linea, some longer than the next.
The longer (and bonus) interviews are with Cris and Cosey (separately), Genesis P-Orridge (Throbbing Gristle, Psychic TV, etc.), Stephen Mallinder (Cabaret Voltaire, etc.), Boyd Rice (!), Graeme Revell (SPK), Stefan Alt (Ant-Zen) and Udo Weissman (Winterkälte, Hands).
The latter two I find a bit strange. Why not Tesco, Cold Spring or Malignant? Did the makers want to make a bridge to more ‘modern sounding’ industrial? Or is is, like with “the Sound Of Progress” that the focus lays less on the underground side of the scene? Not that Ant-Zen and Hands are major labels, of course, but the other labels have more of an unruly approach, the latter are ‘easier’ so to say. read more

Michael Idehall * Solar Symmetries (2016)

This album showed up in my Deezer “hear this”. It appeared to be a remix album and now I see that there is no physical version of this release. That is not too bad, because even though “Solar Symmetries” is nice, it is not a ‘must-buy’.

Remixes by known and new (to me) projects, a couple of doubles in chosen tracks and usually the remixes come nowhere near the original versions, a few exceptions notwithstanding, the tracks of Hadewych and Alvar.

Links: Michael Idehall, Ant-Zen read more