A while ago I was playing the great album “Unpunished” by Am Not and I wondered what other releases Unrest Productions would have. I listened to the tracks on their Soundcloud account and liked the track of S.T.A.B. Electronics, like Am Not (and like the label) from the UK.
Nowadays when I want to ‘try out’ a band, I just see if they are featured on Deezer or if they have a Bandcamp or Soundcloud page. Not everything is available online (which is perfectly fine with me) and I did not find much of S.T.A.B. Electronics. So, just as in the old days, I just bought a cd of a project I was curious about.
“Day Of The Male” opens with a descent ‘death industrial’ track with rumbling and noisy rhythms and screamed vocals. Perhaps ‘power electronics’ is a better description. However I do not entirely like the vocals, this track is a nice one.
Then follows a screeching noise track that I do not like at all.
Things get better with the title track which is again more ‘death industrial’. What follows hereafter is brutal power electronics, in one case pretty extreme: the great track “Marquis Complex”. The other tracks are nice to good, so overall I may conclude that “Day Of The Male” is a good power electronics album.
Links: S.T.A.B. Electronics, Unrest Productions
Epicurean Escapism is an ‘extreme media’ festival and this release looks back at the second edition. There is a cd with tracks from Ke/Hil, Anemone Tube, Post Scriptvm, Trepaneringsritualen and Dieter Muh (the last is a 20+ minutes track). Compared to the DVD all these tracks are ‘easy listening’. Dark, noisy, industrial, ambient and quite enjoyable too.
Then we go to five videos recorded by Con-Dom from 1983/4 and one from a decade later. The videos are mostly shots of photos and images taken with a shaky camera. Some footage has been montaged in between. The videos are accompanied by Con-Doms most uncompromising sound. No ‘easy listening’ for sure! In fact, I do not really like this side of Con-Dom. The videos have been remastered and they are interesting ‘for archival reaons’. They give a peek into the early extreme noise scene.
The packages is DVD box sized and made from cardboard. A booklet is glued to the last panel and contains an essay and photos of artwork that was on display during the festival. The concerning artists are Alex Tennigkeit, Andrew Liles, Carmen Burguess, Dennis Rudolph, Philip Best and Rudolf Eb.er.
I like the more ‘overall approach’ to this release, but personally I find the cd part the most interesting.
I see that volume III was also released a few months ago.
Links: Silken Tofu
However I can enjoy some pretty extreme music, this German project is often too much for me. Their sound can be chaotic and extreme with high frequencies and little structure. GO also has darker tracks that I do like, but also among their more extreme material there are tracks that I like. The thing is, an album contains perhaps a few tracks that I like and a lot that I do not. Hence, GO albums are a bit of a risk to my ears.
27 Years after their first release (!) there comes an album that is perhaps GO, but maybe not too typical. “Obituary Of The Americas” has more of a wall-of-sound type of noise than their usual chaotic power electronics. Not that this album sounds like Ex.Order, but their style is more comparable that some GO tracks. Compared to other GO material, this new album is easy-listening. You still have to be able to be a musical masochist to enjoy this album though, so be warned! “Death industrial” is probably a good description. Anenzephalia but somewhat harscher.
A track like “I Don’t Wanna Die” is really my kind of noise. A static, pulsating sound, very extreme vocals, a wall of lower frequencies and a lot of samples. Also other tracks are pretty good, extreme, but not over my edge.
I like the ‘new’ sound of GO! It comes as a limited lp and an unlimited cd.
Links: Genocide Organ, Tesco Germany
I was looking much forward to hearing this cd, but it took a while before I could. “Unpunished” was certainly worth the wait!
The album opens with the brilliant title track. A dark rumbling piece of death industrial with calm, clear, spoken vocals with a not-so-calm message. Then Am Not continues with different styles of death industrial and noise, all pretty damn dark. From Operation Cleansweep-like dark noise with distorted vocals to chaotic power electronics with no vocals. Somehow I have something with dark noise with vocals and that is a description for most tracks on “Unpunished”. All well-excuted and moody, so here we certainly have another great noise album.
The first ‘real album’ of the British Am Not is one for lovers of the mentioned Cleansweep or Ex.Order, industrial noise projects like Trepaneringsritualen and ‘vocal noise’ projects such as IRM and some tracks of the latest Iron Fist Of The Sun.
Links: Am Not, Unrest Productions
In 1994/5 I was happy to be able to leave behind the black metal scene and role into something more interesting. Cold Meat Industry was one of the labels that I discovered and from which I bought dark ambient and strange industrial. Then there was this act with corpsepaint and whatnot even making a style of music that I -at the time- did not like: noise. Well actually, they called it “black industrial”, setting it aside Brighter Death Now’s “death industrial” as Satanic black metal stood aside death metal.
I never really took a descent listen at MZ.412. I have (heard) some of their albums, but I never tried the entire discography. The more death and dark industrial albums sound better to me than some others. After almost 10 years after the last ‘real’ album, Maschinenzimmer moved to Cold Spring and brings a brand new album. Well, “brand-new”… there are some tracks that sound very familiar even to me.
MZ starts with a little surprise, almost martial industrial tones. Soon we are thrown into the deep and dark pits of rhythmic industrial and low-frequency noise. Some tracks are very good, others are less interesting, but certainly not bad. “Hekatomb” became a reasonable ‘comeback’ for our Scandinavian terror korps.
Links: Nordvargr, Cold Spring
This is not exactly the first release, but the first I heard of (I think). Diutesc is the project of an ex-Genocide Organ member. The label (Old Captain from Ukraine) does not immediately ring a bell, but I do know some of their releaes.
I got this cd from Cold Spring who filed it under “death industrial”. This certainly goes for some tracks, but many tracks I would simply describe as “industrial”, a quite harsch kind of industrial, but still. There is quite a bit of variety in style between tracks. Some are indeed “death industrial”, distorted noisy industrial with distorted vocals; others are more “industrial” (less heavy, but not quite easy-listening) or even a little ‘ambient’ or ‘rhythmic noise’. There are certainly some very nice tracks on this album (the cover of whih is entirely written in runes). The sound does not get as extreme as some GO material.
Not bad. An album if you want to get some noise that is not too extreme.
Links: Diutesc, Old Captain
Cold Spring recently rereleased this early Trepaneringsritualen tape. (The very first release (“Ritualer, Blot & Botgöring“) has been rereleased on cd by the Rusian label Infinite Fog Productions.) “Veil The World” contains the typical Trepaneringsritualen death industrial sound, but what makes these ‘early’ recordings interesting are the times that the distortion is limited and the sound goes into a more ‘minimal wave’ direction. These less typical elements make “Veil The World” not only interesting for archival reasons, but also shows that Cold Spring made a good choice to rerelease this particular tape.
Links: Trepaneringsritualen, Cold Spring Records
Death Industrial from a Belgian label that I do not think I heard of. Only now I see that I bought the debut of this project while there is a more recent release available through the same label. It is not like Femeheim sounds like Brighter Death Now. The music is dark and noisy, but not all tracks have the massive low frequencies of projects like Ex.Order. There are some pretty good tracks to be found here though. The rest is more like very dark ambient with a noisy edge which works as background music.
Not bad and this does make me curious about the second album.
Links: Femeheim, Death Continues Records
CMI may be dead and buried, but Roger Karmanik apparently wanted to keep full control, so he founded a new label, Familjegraven, to release his own material. “With Promises Of Death” is the first effort.
The album contains dark and pounding, noisy industrial. Most of the tracks are not the chaotic, earcracking type of noise that BDN delivers sometimes, but more my kind of noise. “Death industrial” is a good way to describe the music. For those of you who know BDN there will be no big surprises. I am personally not an avid follower of BDN (in fact, this is the first album that I review…), but this new album sounds about as good as the wonderfull “Kamikaze Kabaret” of 2005. I do not know if I have heard each and every album in between, but there you might have an idea of the sound of the new cd.
Links: Brighter Death Now, Familjegraven
Many thanks to Noise Receptor for this excellent suggestion. The project’s name sounds somehow familiar. This is possible, since it has released quite a number of albums (including several splits), but the labels do not really ring bells, so I doubt I ever heard anything of Gnawed. Now this American project got the possiblity to release an album through Malignant which will certainly help to raise its name. The album is even available on Deezer (but not on Spotify)!
“Feign and Cloak” contains a piece of dense and dark death indutrial. Mostly low frequency walls of noise, often with aggressive vocals; my kind of noise. Think of Ex.Order, Operation Cleansweep, Trepaneringsritualen. The music is often slowly rhythmical and highly distorted. Industrial noise, so to say.
Yep, an excellent album!
Links: Gnawed, Malignant Records