v/a * Credo In Unum Deum (cd 2006 trinitas)

Some people, especially outsiders, think that our scene is one big pagan, anti-Christian bunch of (musical) extremists. Personally I always liked the fact that there is actually a multitude of convictions, ideas, ideologies, musical tastes, etc. This compilation seems to be a calling for listeners of our music to return to our Christian roots. The cd is pretty apologetic, sometimes even rather aggressively so. Kriegsfall-U has an aggressive track with as lyrics: “destroy all untrue and evil human” and in the accompanying booklet in which every artist can scribble some thoughts, Kriegsfall-U writes: “We offer this composition to Michael Moynihan, Thomas Petterson, Hendrik Nordvargr Björkk. Dead men, awake! You cannot play with Perdition.” Gregory Bardini writes against certain ideologies that can be found within the scene, including Evolaian and Guénonian and says: “I would want to point out that the more authentic neo-folk scene is forgetting our closest tradition: Christianity!”, it gets even better: “Why? Because of a lack of study, time, knowledge”. Personally I can only reply that I spend many hours a week reading and studying a variety of subjects. I have respect for the Christian faith, but I can only conclude that it isn’t mine. I don’t see the point in judging other peoples ideologies simply because they are different from your own. If this compilation would only have been a statement of Christian artists within our circles, I would have had the greatest respect. With this apologetic tone, this cd seems more like a fundamentalist Christian aim to reconvert the scene to one faith instead of allowing everyone to walk his/her own path.
But let me also say a few things about the music. There are famous and small artists. Most tracks are tranquil and alright. The artists are Von Thronstahl (this was to be expected, Josef also was behind this compilation), The Days Of The Trumpet Call, Rose Rovine E Amanti, Parzival, Kriegsfall-U, Lonsai Maikov (with a metal track), Gregory Bardini, Oda Relicta, Zebaoth (a nice Sophia-like track), Thorn-Agram, Kayno Yesno Slonce, Hidden Place and Militia, but beware, this is not Militia from Belgium, but a side-project of Magnifiqat from Italy).
Nice try, a bit too overly fanatic in intention, musically agreeable.

Wappenbund * Kinder Des Lichtes (cd 2005 greyland records)

To be honest, initially I wasn’t planning on buying the new Wappenbund. Not that I don’t like this German project, but I already got three of the cd’s, they are not too easy to get (very limited and not available from my normal mailorder) and however at times very, very good, Wappenbund tends to sound the same too often. Also the cd’s come in special packages and are very short, which are reasons that I don’t play them too often. So I just figured that I wouldn’t take the effort of trying to find “Kinder Des Lichtes”. But then I read that this was going to be the last cd and since I have everything but the “Zurück In Der Heimat” 7″, it would be a shame if I didn’t complete my collection! So then the trouble of laying my hands on a copy started. I had the brilliant idea that I wanted to get this cd and the new Propergol from the same distro, but this showed a strange combination! Only one (Equilibrium Music) has both titles, but there were some problems with getting the new Propergol from the States into “fortress Europe”. But the cds came afterall.
So then, onto the music. The last Wappenbund proves to be a more tranquil, orchestral cd with hardly any of the bombastic militant sounds that I like this band for left. Some electro/technoish things in the beginning, but mostly orchestrations for the rest doesn’t make this cd the best Wappenbund by far. Quite a pitty. All in all this cd doesn’t bore me stiff, but I had hoped for something better as final album.

Wappenbund * Preußen (2cd 2003 greyland records)

The new Wappenbund is a box with two cds and very nice extras. One cd is “Preußen”, which is about the independent state of the federal state (of in better translation ‘part of the state’) with the same name. Of course this was a few hundred years ago and nowadays Preußen is a part of Germany. The cd contains the wellknow Wappenbund sound, bombastic, slightly militant and noisy industrial with a lot of samples Busslers distorted vocals. The cd opens very good, overall the cd has great tracks and alright tracks and lasts for 45 minutes.
In the box also comes the long anounced “Schlacht The Final Chapter” album (of 30 minutes). This one is a bit more noisy.

Anyway, if you like Wappenbund this one won’t let you down. 494 Copies, so you you may want to be quick. <15/10/03><3>

Wappenbund * Zeitenwende (cd 2001 greyland records / electronic sound lab)

An unknown band, an unknown label, at least, to me. It seems that Wappenbund has been around for a while, but they don’t have too many different releases out. The releases that they do have, come in different versions. This cd comes in a very nice envelope. It has for about 45 minutes of music. Greyland Records also seems to have been around for a while, but recently became part of This last wants to become a label/distro for electronica, techno and industrial, but only the industrial (Greyland) part is really up and running when I write this. Greyland on the other hand appears to be the personal label of a guy named Sven Bussler who is also behind most of the Greyland bands, and also behind Wappenbund.
As the bandname slightly suggests, Wappenbund makes bombastic industrial with militant and orchestral touches. The music goes from pretty harsch to fairly soft and has quite a lot of samples. I really like this and Wappenbund doesn’t sound too much like bands making similar music. So, if you also enjoy this kind of stuff, be sure so go to the Esola page and have a listen to the Wappenbund (and other) mp3’s and I am quite sure you will want to order this or other cds. <6/4/02><4>

Wappenbund * Blood & Fire (mcd 2001 greyland records)

This is the second Wappenbund release that I review and I think it is older than the “Zeitenwende” cd. It certainly isn’t as good as the cd. This mcd has five tracks. It opens very noisy and nicely militaristic. The second track can be downloaded as mp3 from the labels website and is a nice bombastic track. Then we get a rather boring track with singing, a not too great track with a distorted beat and a tranquil track that I also already had as mp3. If you don’t know Wappenbund yet, first download some mp3s and then get the “Zeitenwende” cd. In the coming months there should be a new cd called “Schlacht – The Final Part”, I can’t wait to hear it, since Wappenbund sure is an interesting project. <29/5/02><3>

Von Thronstahl * Bellum, Sacrum Bellum !? (cd 2003 fasci-nation)

The new Von Thronstahl is again released by the guys themselves and can seemingly also only obtained by the guys themselves. But no worries, I had my copy within the week. It comes in a luxery digipack with strange collages all over and with a poster and old and new adds. Again pinpointing current happenings, Von Thronstahl named their album “War, holy war!?”.
Musically there is quite something to say. The sound is by far not as dark as on the first releases, but that is a line that we could already hear on previous releases. Often the sound is obviously Von Thronstahl, but overall the guys keep reminding me of Forthcoming Fire. Several tracks are slightly ‘gothic’, here and there technoish sounds and even there are Forthcoming vocals in one track. No neofolk anymore, but of course there are some tranquil orchestral tracks to be found. Most tracks are slighly uptempo and sometimes a bit bombastic, but again, not as bombastic as on earlier cds. Also the music, like the cover is often a collage of sounds, quite like the “Re-turn…” album. Minor point, a “We Walked In Line” cover, but the Blood Axis cover is a lot better.
I doubt Von Thronstahl will ever top their first cd for me, but still this is a very nice album. <12/7/03><3>

Von Thronstahl * Imperium Internum (cd 2000 cold spring)

And here we have the cd of Von Thronstahl. It sounds different from what I expected. There isn’t as much industrial on this cd as on the 10″. (that I reviewed earlier), but there isn’t more folk on it either! So what kind of music is there on this cd? Well, most of the music is very orchestral. The first five songs are like that, at times fairly dark and with some militant touches (marchdrums). A few voices and samples to complete things. It sounds pretty good too. The songs become a bit more industrial with every track, which results in a total industrial track number six. After that there is a shorter and different version from the magnificent ‘Sturmzeit’ track from the 10″.
Then it’s time for the first folky sounds in the form of “Heimaterde, Mutterboden, Vaterland” (Native Soil, Mother Country, Fatherland). Then two more orchestral tracks and a new version of “Turn The Centuries”, which was the only folky track on the 10″. It sounds a lot more orchestral this time.
A piece of industrial and two tranquil songs close the row.
Yes, that’s a lot of tracks. It’s 14 in total spanning a time of about an hour. Because the songs aren’t too long, it doesn’t matter that not all are totally brilliant. But overall this cd is really, really good!
I think this cd will particularly appeal to people who like ‘mystical industrial’ bands like Turbund Sturmwerk, Der Blutharsch and Blood Axis. Those who enjoy experimental folk sounds, might give it a try as well.


Cold Spring sent me review copies two long anounced rereleases of this controversial band. I heard about this band just before the 2000 Wave Gotik Treffen, but missed their ‘performance’ at the chaotic festival. I did get the 10″ and on 19/7/00 I reviewed this cd. Reading this review again, it seems that there weren’t a whole lot of bands with this kind of sound in those times. I really liked the cd and I still do. It is still one of my favourite albums with music going from soft neofolk to harsch industrial, but mostly music with a very orchestral and martial sound. Many readers of these pages will already have this cd I think, but for those who have been waiting and waiting in order to be able to lay their hands on a copy, now is your change! The rerelease comes in a digipack whereas the first edition was a normal jewel case. Musically I didn’t find any differences, but the booklet is slightly different. There are no lyrics in the new edition.

v/a * Thorak (compilation cd 1998 vaws)

The first Vaws compilation in this ‘series’ (await the Breker compilation some time soon) is dedicated to the sculpturist Joseph Thorak and is so far definately the least interesting one.
However the orchestral track in the beginning (Stalingrad, The Protagonist, Von Thronstahl, The Days Of The Trumpet Call and Forthcoming Fire) are nice to very nice, the following industrial contributions (Karceral Flesh, Ecodalia, Skrol, Egoades, Turbund Sturmwerk and Source Direct) aren’t very good with the exception of Turbund and then some horrible gothic of Near Death Experience and Siela, followed by two neo-folk songs of Death In June (“Kameradschaft” the only neo-folk song from “Take Care And Control”) and Andromeda Complex.
Only agreeable for the first 1/3.

v/a * Swarm (2cd 2006 cold spring records)

It sure has been a cold spring so far, but fortunately the British label with this name comes with a heartwarming compilation. There are some famous bands, but also new names to me, especially on disc 1. The compilation opens with a heavy martial industrial track by Kreuzweg Ost, followed by ambient and industrial tracks (some pretty heavy) ending in the noise of Necropolis and Deadwood. The second disc begins with the new noise star Sistrenatus from Canada with an alternative version of track “IV” from the demo. Disc two is mostly dark droning noise in the beginning, but what are these terrible version of Von Thronstahl’s “Adoration, To Europe” and the poor track “At Dawn We Meet Our Maker” by A Challenge of Honour doing there? Also the last one may be a bit out of place, but “Stalingrad” by the Dutch band HERR is a nice track to close this compilation with. A compilation with old and new, good and bad tracks, but a good introduction to the Cold Spring label.