bombastic

NDE * Krieg Blut Ehre Asche (cd 2009)

Yet another project of Dead Man’s Hill, Alle Sagen Ja, Eisengrau, etc. NDE makes a mix between black metal, martial industrial, bombastic orchestrations and noise. The result is a heavy pompous sound with distorted screamed vocals and raging guitars. Quite extreme, quite original, not alway quite good. There are some nice orchestral noisy tracks, but as soon as the guitars set in, I loose my interest. I think this album will appeal to people who like the later sound of Karjalan Sissit with the noisy orchestrations and screamed vocals, but then with guitars added.
Links: NDE, Cold Spring

Gae Bolg And The Church Of Fand * Petite Introduction Aux Pratiques Des Gymnosophes (2009)

Petite Introduction aux Pratiques des GymnosophesWow, it has been almost 10 years since Gaë Bolg suddenly appeared in the scene with their crazy medieval drumming sound with trumpets, weird singing and idiotic costumes. According to Discogs recordings of their 9/9/00 legendary show in an Amsterdam squat (which I attended) has been released already five years ago. I liked Gae Bolg’s earlier sound, but I did not really follow them after the “Oran Môr” vinyls because they were not all that good. Besides, the band brings some humour to the scene, but I do not often feel like playing humoruous music. So with a gap of about 8 years, I decided to get myself the latest attempt of the “Grand Maistre de la Gymnosophie”. The music seems to have become even more crazy than in the early days. Drumming, singing and copper, they are still present, but also discobeats and manic “lalala”s. Gae Bolg definately have not lost their touch, so this is a nice release should I ever feel like crazy music.
Links: Gae Bolg, Le Cluricaun

Dead Man’s Hill * Songs From The Forthcoming Apocalypse (2008)

Songs For The Forthcoming ApocalypseHowever I have known this Belgian project since the early days, I never really followed him. When Dead Man’s Hill was still new, I saw him live a few times. I heard some of the releases, but was not interested enough to buy them besides two split releases. Interested in what DMH would sound like nowadays, I got myself this cd. The sound is still more or less the same: slow and pompous industrial with slow beats and orchestrations. The sound reminds quite a bit of In Slaughter Natives here and there, but especially the weird (and rather irritating sometimes) vocal effects and the use of guitars (sometimes it is almost metal) give DMH a sound of his own. Some tracks are alright, but most are not all that good in my opinion.
Links: Dead Man’s Hill, Midnight Productions

TriORE * Three Hours (cd 2009)

Three HoursAs ORE keeps releasing new albums, my interest deminishes, the last Triarii album is a great album though and the “Roses For Rome” song that these two did together is very nice too. So what would an entire album of a combination of these two projects sound like? Besides the first and last track, it seems that ORE had a lot more influence on the sound as Triarii. The songs are tranquil, ORE-like and only on the background are some martial industrial or orchestral sounds. It is funny to hear the similarities of the sounds of both projects and “Three Hours” sounds better than ORE alone, but I would have like a bit more Triarii sound in here. I must say that like with Triarii the simple melodies start to work better after a few rounds in the player, so maybe this album will grow on me a bit more.
Links: Ordo Rosarius Equilibrio, Triarii, Cold Meat Industry, Eternal Soul Records

l’Effet c’Est Moi * Les Voix De L’ Apocalypse (cd 2009)

Les Voix De L' ApocalypseWhen I saw this album on a distribution list I did not realise that I knew this band from some online compilation (“Honi Soit Qui Mal Y Pense” 2006). Apparently they released an earlier album called “Tomber en Heroés” (2006 forart.it). I heard it and it is a not too good martial album. When I listed the new tracks on the band’s Myspace I figured I might get the album. Well, “Les Voix…” actually is another not too good or professional bombastic martial release. Digital copper and orchestrations and of course a lot of drumming make this entirely instrumental album into an average album in a genre that apparently sounds about the same as 10 years ago. Sometimes the melodies are catching and the atmosphere good, but as a whole I find this album not particularly good.
Links: l’Effet c’est Moi, Midnight Productions

Karjalan Sissit * Fucking Whore Society (cd 2009)

FWSWhen you read my reviews of the previous albums of Karjalan Sissit you will notice that I never really held this project in high regard. His music is alright, but there are better projects in this style. With the previous album Pesonen gave a bit of extra gass and he recorded an album much more agressive than anything in the “bombastic industrial” style of that time (and still). Too bad that on the latest album, he just repeats himself and made a copy of “Tanssit…”. Nice dark soundscapes with speechsamples are alternated with bombastic and sometimes orchestral industrial with fierce drumming and very aggressive vocals. Not really boring, but not really great either.
Links: Karjalan Sissit, Cyclic Law

Von Thronstahl * Germanium Metallicum (cd 2009)

Germanium MetallicumIn an exquisite digipack comes the new album of Von Thronstahl. This controversial band will amplify the opinions about them with this pretty political release. A “musical terrorists network” was founded (with a funny “wanted” leaflet in the middle of the booklet) and the quotes and lyrics that come with each track are clear enough (but can of course still be either fuel or water depending on your own ideas). 19 Tracks seemingly going over most of Von Thronstahl’s musical history with orchestral tracks, marchdrums (fierce of subtle), rocksongs, neofolk and a lot of martial bombast, but also the more sound-collage oriented tracks. Especially the first part of the album is very good with a variety of good tracks and songs with of course a load of samples. The overall length is 70 minutes. For people worrying about the musical direction of the band: the way the songs are created may remind of “Bellum, Sacrum Bellum?!”, but sound does not really. On the other hand, neither is the sound as dark as on the early releases (which I guess will not be topped anymore). “Germanium Metallicum” is a real Von Thronstahl album and like all of the others, it is pretty good too.
Links: Von Thronstahl, Trutzburg Thule, Cold Spring

Triarii * Muse In Arms (cd 2008 eternal soul)

Muse In ArmsMy reviews of the previous two Triarii albums are very critical and it would be easy to be the same about this new one. “Muse In Arms” sounds like it has been recorded during the same sessions as “Pièce Héroique” (2006), it sounds almost completely the same. I have never given Triarii points for originality, he tends to either sound like other projects or like himself, but you know what?, from the vast stream of bombastic industrial and martial music, it is only Triarii that I still put in the player every now and then. The previous albums are more consistent in sound and level of quality than for example Sophia or Karjalan Sissit and the style has better survived the years than Wappenbund or A Challenge of Honour. “Muse In Arms” is again built of sampled classical music and opera, layered with martial drumming, making a bombastic piece of orchestal and martial music. With vocals here and there, simple but effective melodies, Triarii manages to work on my mood. A magnificent track such as “Europa” (are the lyrics as dubious as I think to hear?) will most likely still “make me go whoo” in a couple of years. Even when the martial orchestral sound is almost dead and I rarely play it these days, “Muse In Arms” is a good album to ‘relive old times’ every now and then. A sound (and lyrics?) that will disturb some people, but who gives a damn? I don’t know if Triarii has a message and actually I don’t care, the music makes me feel glorious and victorious just like many years ago a few industrial projects managed to do. Again perhaps not the most original album, but a great one and highly suggested to people who want to get a great new piece of martial music.
Links: Triarii, Eternal Soul

Der Feuerkreiner * Unsere Zeit (cd 2008 neuropa)

Unsere ZeitAccording to the label this album “is easily one of the most anticipated records in the neofolk underground scene”. Well, Der Feuerkreiner is a nice band that mixes different kinds of music to their own style, doing that well too, but the selling-line is a little overdone in my opinion. The releases that I already have are very enjoyable, but I do not play them too often. “Unsere Zeit” brings no news in the style of this Italian band. Female vocals sometimes making almost “heavenly voices” music in combination with soft orchestrations, to follow by some harsch and distorted industrial with clear sounds, lots of drumming and bombast. Listening to the new album, the style seems to have been polished a bit and comes out better than before making “Unsere Zeit” a good new album, but without surprises.
Links: Der Feuerkreiner, Neuropa Records
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v/a * OEC 100 (7cd 2008 old europa café)

OEC100For their hundreth release The Old Europa Café label has released a 7-cd compilation with a track of each band and project they have been involved in during the years. However looking around the internet it seems like the bands are featured alphabetically, this is not the case, the cds are ordered somewhat thematically / according to style. “Somewhat” I say, since it is not completely that there are industrial and folk cds, there is some overlap. That is only for the better, the compiler of the cds has a rather good ear for things. In the beginning I had the idea that there are alternally more industrial and more folky cds, but this is not entirely true. The compilation opens with a cd with mostly not too extreme noise, a nice cd. Then follows a cd with more (neo)folky music, but not the too typical sounds of a compilation that I reviewed a few days ago. Then we have cds with power electronics and the extreme, chaotic style that isn’t mine, but also more old industrial things, strange experimental soundscape music and more of an old neofolk cd that I find awfull (Ain Soph, that sort of bands). Having heard the whole thing, my temporary conclusion is that the first cds are the most interesting and towards the end are some cds that I will probably never play. I think that four out of seven cds are enough of my taste to put in the player every now and then, so the “price/quality balance” is not that bad.

We didn’t put limits to the sound stiles, so here you can really hear all the sounds of the Industrial sub-culture featured on OEC !

This is a sure thing and it would be utterly impossible if everybody would love everything on this “mammoth compilation”, but I guess that for people who like the better stuff from the scene, there will be plenty to enjoy on “The Old Europa Café”.
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