A new Idehall. Would it be a ritualistic soundscape or more in the vein of “Sol” and “Deep Code”? Since it is released by Ant-Zen (in collaboration with Beläten), who also released the two named releases together on one disc, I had hopes for the latter. This is not entirely true though.
“No Man’s Land” in one way holds the middle between the soundscape style and the other style of Idehall, but it actually presents something new as well, a development of style, because the music is still recognisable as coming from Michael Idehall. The sound is still ritualistic and somewhat dark, but it got more of a dirty, industrial touch with squaks, noises and rhythm. Sometimes the music is downright noisy. This new sound is good too.
The album opens with a ‘noisescape’ type of track, but the second track “Yoni” has more of the “Sol”/”Deep Code” style with Idehall’s mantra-like singing and a repetative rhythm. What follows next sounds a bit like a very dark IDM track with an odd rhythm, a very interesting track. The title track is a bit like the previous, again relatively tranquil. Then follows a bit of a dark space ambient track with a ‘spacey rhythm’ and ‘spacey sounds’. The next track is actually called “Deep Code” and is again a somewhat softer track with echoing voices and a bit of a spacey ambient sound. Next up is the highlight of the album. “Nightmare” is a brilliant industrial and noisey track with a bit more tempo and distorted vocals. The next tracks are mostly industrial ambient type of tracks with the Idehall-style ritualistic darkness. There are two more rhythmical tracks. Compared to the first half, the second seems a bit less dark.
I think this album may appeal to people who like ritualistic dark ambient with an industrial and noisy edge, perhaps it is not unfair to drop the name of Coph Nia who also uses a ritualistic and magical dark ambient style, but the result is different from Idehall though and Coph Nia rarely gets as dirty as Idehall on this album. When you like Idehall’s previous releases, you should certainly listen to this new one. Be warned that it is a little different though. Personally I still prefer “Deep Code”, but I also enjoy this new album quite a bit. It has a couple of great tracks and a bunch of good ones.