This film is best known by the English title “Every Day God Kisses Us On The Mouth”. This Romenian film tells the story of Dumitru who is both a slayer of animals (butcher) and slayer of men (because of his bad temper). We follow him when he goes drinking and gambling with his friends, his family-affairs and later how he goes looking for his father. It is a strange film. The story has large holes, but the scenes are quite slow. This gives a bit an idea of fast-slow. Because of the hopeless situation, drinking and violence, the film reminded me a bit of “One Were Warriors”. Shot in nice brown-colours making it an alright drama from a country you don’t get to see too much films from.
Just before “Mullholand Drive” came in the Dutch cinemas, Lynch old film “Blue Velvet” was brought back to the Dutch filmhouses on some kind of ‘tour’. In most filmhouses this film is just shown once and then the tapes are brought to the next cinema to please the local Lynch-freaks there.
Of course I have seen this film quite a long time ago even so long ago that I didn’t remember too much from it anymore. I didn’t even remember if I liked it! Well, to any Lynch-freak reading this I have one advice: go and see Blue Velvet on the big screen! The overall effect of such a dark film as “Blue Velvet”, “Lost Highway” of Mullholand Drive” is 100x better in a cinema than on your own television with the lights on. “Blue Velvet” indeed is the masterpiece of mister Lynch as many filmcritics say. It’s yet not as absurd or extreme as the other two mentioned films, but already here are the vague scenes with out-of-focus filming, dark drones, weird sounds and extremely dark filming that can only really get to you when seeing it in a ciname.
For the people who haven’t seen “Blue Velvet” yet (and to clear up the memory of those who saw it a long time ago), the story: The young and naive man Jeffrey Beaumont (Kyle Machlachlan, best known for being special agent Dale Cooper in Lynch’s “Twin Peaks”, but also playing in Lynch’s “Dune”) finds a human ear in a field close to the remote small town where he lives. He brings it so a police-officer who lives in his neighbourhood and however the officer warns him to let it go, Jeffrey starts his own investigation together with the officer’s daughter (Sandy Williams played by Laura Dern). Jeffrey gets involved in a twisted world of crime where the extremely disturbed Dorothy Vallens (Isabella Rosselini) is blackmailed by a group of criminals who have her little son and husband (who’s ear Jeffrey found). The first of the criminals Jeffrey sees is the over-emotional Frank Booth (a great part by Dennis Hopper) who starts to cry by every song he hears, but when not overwhelmed by sadness he is extremely violent, speaks only in terms of abuse and uses a gas that makes him feel to be an oversexed baby. Jeffrey also meets a couple of Franks friend, one of which is called “Paul” (Jack Nance played in every Lynch production until he died in 1996), Franks gay boss Ben (Dean Stockwell) and a corrupt police-officer.
I won’t tell too much of the story, but it is a fact that back in 1986 there still is an understandable story with a beginning and an end. The film has a great Lynch-atmosphere, some pretty sick scenes, rough violence and a beautiful contrasts in whichever way you can imagine.
And as said, “Blue Velvet” is 100x better on the bigscreen, so when you get that change, don’t let it pass by!
I think most of you already know Michael Haneke for his ‘controversial’ movie “Funny Games”. It was said that this new movie has the same idea and effect, but I don’t agree with that.
“Code Inconnu” is a strange movie with different stories either or not touching eachother in the course of the film. The scenes usually end very abruptly which starts to irritate after a while. From some characters you will be able to find out what the story is, of others you get not enough information.
“Code Inconnu” is quite a ‘heavy’ movie, pretty depressive, especially in some of the stories. You will see a woman being kicked out of France after being picked up by the police over an event she could do nothing about, a boy fleeing his father and going to his sister in Paris, the sister who has a strange husband who is a soldier in the near-East, and more.
The film as a whole also ends very abruptly, so do not go and see it if you prefer understandable stories and stories with a clear beginning and end.
Overall I don’t even know if I liked it or not…