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mystery

Blue Velvet * David Lynch * 1986

Just before “Mullholand Drive” came in the Dutch cinemas, Lynch old film “Blue Velvet” was brought back to the Dutch filmhouses on some kind of ‘tour’. In most filmhouses this film is just shown once and then the tapes are brought to the next cinema to please the local Lynch-freaks there.

Of course I have seen this film quite a long time ago even so long ago that I didn’t remember too much from it anymore. I didn’t even remember if I liked it! Well, to any Lynch-freak reading this I have one advice: go and see Blue Velvet on the big screen! The overall effect of such a dark film as “Blue Velvet”, “Lost Highway” of Mullholand Drive” is 100x better in a cinema than on your own television with the lights on. “Blue Velvet” indeed is the masterpiece of mister Lynch as many filmcritics say. It’s yet not as absurd or extreme as the other two mentioned films, but already here are the vague scenes with out-of-focus filming, dark drones, weird sounds and extremely dark filming that can only really get to you when seeing it in a ciname.

For the people who haven’t seen “Blue Velvet” yet (and to clear up the memory of those who saw it a long time ago), the story: The young and naive man Jeffrey Beaumont (Kyle Machlachlan, best known for being special agent Dale Cooper in Lynch’s “Twin Peaks”, but also playing in Lynch’s “Dune”) finds a human ear in a field close to the remote small town where he lives. He brings it so a police-officer who lives in his neighbourhood and however the officer warns him to let it go, Jeffrey starts his own investigation together with the officer’s daughter (Sandy Williams played by Laura Dern). Jeffrey gets involved in a twisted world of crime where the extremely disturbed Dorothy Vallens (Isabella Rosselini) is blackmailed by a group of criminals who have her little son and husband (who’s ear Jeffrey found). The first of the criminals Jeffrey sees is the over-emotional Frank Booth (a great part by Dennis Hopper) who starts to cry by every song he hears, but when not overwhelmed by sadness he is extremely violent, speaks only in terms of abuse and uses a gas that makes him feel to be an oversexed baby. Jeffrey also meets a couple of Franks friend, one of which is called “Paul” (Jack Nance played in every Lynch production until he died in 1996), Franks gay boss Ben (Dean Stockwell) and a corrupt police-officer.

I won’t tell too much of the story, but it is a fact that back in 1986 there still is an understandable story with a beginning and an end. The film has a great Lynch-atmosphere, some pretty sick scenes, rough violence and a beautiful contrasts in whichever way you can imagine.

And as said, “Blue Velvet” is 100x better on the bigscreen, so when you get that change, don’t let it pass by!

Avalon * Mamoru Oshii * 2001

You know these Japanese are crazy, but this does it! A Japanese film shot in Poland and spoken Polish! I had heard about this film soon when it came to the cinemas and it played in the local film-house (where you go to see the smaller productions) for quite a while. Still it took until I found it cheap on video before I finally saw it.

“With a story like Exitenz or the Matrix” the box says. It is actually quite a lot like Existenz. “Avalon” is a virtual-reality computer war game. The players entirely go up in their game trying to get as good and far as they can. There is a lot of Arthurian mythology in the film, but the game itself is just a shooting war game. Ash (Malgorzata Foremniak) is almost the best player, a good-looking but lonely girl who makes money playing the came and flees from the grim reality of Poland. The players contact eachother to get information to reach a secret level and when Ash reaches it, we no longer know what is reality. The secret game is the real world, or not?

Nice fairly grim atmosphere, nice colour-settings, mediocre story.

Abre Los Ojos * Alejandro Amenábar (1997)

I saw this wonderfull film in the cinema when it still played and later I also saw the American version (“Vanilla Sky”) in the cinema. “Open Your Eyes” by Amenábar (“Tesis”, “The Others”, etc.) was one of the earlier films with the ‘what is true, what is dream’ theme and is here centered around a cryonics project. It is well-done, fairly surprising if you haven’t seen (or heard about) it and especially Penélope Cruz is a feast for the eyes.