Farming is Wilfred James’ life. He manages to marry the pretty Arlette to double his land, but in spite of a son, the marriage is not a happy one. Arlette has little with their hard life and wants to sell her father’s land and move to the city. Wilfred and son Henry prefer to stay on the farm.
The arguments get more and more bitter and when Arlette starts to make plans to force her plans, Wilfred starts to make plans to prevent this from happening.
The story is based on a novella of Stephen King, but has but little of the typical King horror elements. “1922” Is mostly a drama with a few horror elements. The story is not very surprising or even interesting. The atmosphere of the film is alright, but overall, the film is fairly dull.
More active as a writer than as director, but Charlie Kaufman has made a few interesting films. And so we have another not too big-audience film on Netflix.
Two way too intelligent youngsters just got into a relationship. After about six weeks, they take the long trip down the road to meet his parents. Kaufman let them make all kinds of intelligent, know-it-all discussions. The “young woman” already has second thoughts about the relationship and her thoughts acts somewhat as the voice over.
When at the parents the situation is, of course, a little awkward for both, but then ‘the Kaufman effect’ sets in and it seems like the “young woman” sees her relationship with Jake and with his parents in different times.
When the two drive back home, they visit a 24/7 ice bar in the middle of a snowstorm and later end up in Jake’s old school where things get even weirder. Kaufman even threw in ballet and musical.
Once more Kaufman delivered a tragic romantic story in a surrealistic and melancholic style. If you like Kaufman’s other work, this Netflix original may be a film to watch some time too.
The name of the director rings a bell, but I do not think I have seen a film by Gavras. That is until a friendly ‘Redditor’ suggested “Our Day Will Come” with Vincent Cassel.
The box promises a weird film. The actions of the main characters may be a bit off, but the film itself it a pretty straight forward drama.
Rémy has red hair (very dark red) and he has been bullied for that his whole life, slowly building up anger. In a quite strange event he meets the bored psychiatrist Patrick (played by Cassel). It is not entirely clear to me if Patrick is also supposed to be a redhead and shares in Rémy’s fate or if he just wants to break his boredom provoking Rémy.
An unlikely roadtrip unfolds in which Patrick tries make Rémy grow up by force (getting him into fights, connecting him to easy girls, etc.). Patrick’s delusion grows and he turns to violence and so the two work themselves into more and more problems.
“Our Day Will Come” is a drama with some violence and madness. It very faintly reminds of “Natural Born Killers”. The film is alright.
Jamie grows up in an Australian slum town. His single parent mother tries her best with four sons, but things are hard. Life in general is hard and everybody vents his/her frustrations to the ones closest.
Then mother Elizabeth meets a man who is good to her and her sons. Too good perhaps. He evens runs some sort of neighborhood vigilante group, often inviting the neighbors for meetings.
Soon it becomes clear that Gavin’s group is somewhat over active. Are they actively looking for pedophiles and homosexuals to take care off? Are these people even what somebody says they are or is everybody too afraid to not be able to present victims to Gavin?
Jamie is a quiet boy, which is not strange as you will soon learn. Initially Gavin is some sort of father figure, but just as with his group, Gavin’s idea of making a man out of Jamie good way off into the extreme.
“Snowtown” is quite a heavy drama. You better not know more about the story than the above. Story wise it would have been easy for this film to have been a thriller of sorts, but instead of focusing on Gavin, the film is mostly about Jamie.
Not great, but especially since the film is based on true events, a somewhat disturbing film.
The Meyerowitz family is a family of artists living in New York. The pater familias is Harold, a great part of Dustin Hoffman. Harold was a relatively big artist a few decades in the past and he used to teach at the prestigious Bard College.
Adam Sandler plays Danny who used to be a pianist, but his star fell and his life is not going exactly as he wanted. His daughter is going to Bard too though.
Then there is the successful brother Brian he found his fortune outside art and we have a somewhat neurotic sister Jean. Actually, there are not exactly all brothers and sisters since Harold has had four wives.
Harold thinks he is quite a big shot and the lives of pretty much the entire extended family circulates around his. In lengthy monologues Harold continuously spews his ideas of society, life and of course the world of art. Sandler’s plays the neurot trying to get his own life straight, but also that of his family. A few events in Harold’s life brings the whole family together, or not.
“The Meyerowitz Stories” is an amusing film, mostly a drama, but an entertaining one with weird dialogues, strange situations and a critical view on the subject matter.
Madeline Sloane is an influential lobbyist; ruthless and workaholic. At some point she is approached to join the gun-lobby, but instead she takes the opposite direction.
Sloane leaves the huge company where she has made her name for a smaller one to work in favour of a more restrictive gun bill. Of course she meets the full force and finance of the gun lobby who will do anything to put Sloane in a bad light and break her opposition.
“Miss Sloane” is a drama with maybe some court of thriller elements. The film shows the massive power of lobby organisations and the relentless way these organisations work. As a good lobbyist is one step ahead of its opposition, Sloane has a few surprises up her sleave.
“Here’s the story of Ted Bundy. Murdered young girls, monday through sunday. Lured them into his car. Then they wouldn’t see tomorrow.”
Thus sang Macabre in 1993. The film focuses on another side of Bundy’s life though.
Bundy is a handsome and charming law student who gets a relationship with a young single mother. Their life seems perfect, but Bundy has other hobbies for which is he eventually apprehended. He tries to confince everybody he did not do any of the things he is accused of.
For a long time his girlfriend supports him. Bundy even manages to become friendly with the judge that eventually sends him to the electric chair.
This long titled film is a descent drama with only at the end some attention for his crimes. Not badly done.
The beautiful Adaline Bowman (Blake Lively) has a car accident and stops aging after 29. When everybody around her ages and dies, Adaline does not. Of course this catches the attention of some people and Adaline decides to change her identity every 10 years and move to another part of the country.
We see Adaline in our own time and of course with flashbacks to times passed. A man sets his mind on ‘conquering’ Adaline, while she prefers to not get too involved with anybody. Of course this can only lead to a melancholic and romantic drama.