An epic, Chinese martial arts spectacle. The film does not really look as if it was adopted for a Western audience. There are many dialogues and some silly aspects in the fighting scenes. I guess that makes the film a little more interesting though.
The film is based on a legend in which some people want a king dead and we follow one such person. After ten years of practice, he became the best fighter and has built an elaborate plan to murder the king. We find him explaining his plan to the king and with flashbacks we get the story, or actually stories, since as the king understands that what is presented are not facts, the story changes.
The viewer is presented with massive fighting scenes and of course a lot of one-on-one sword fights with flying people and strange weapons. The film has some cultural and somewhat spiritual elements as well.
Catching up with this older Snyder. The title and the cover make me think this film is not for me, but I have to be able to prove myself wrong every now and then do I now? Well, I was right… What a terrible film!
Droopy face Emily Browning kills her father in the opening scene and is transferred to a mental asylum. This asylum then suddenly is a house for troubled girls that is also a brothel and when the girls dance for their customers, they are suddenly in some sort of violent shout-out game hunting monsters. It all becomes a dull mishmash of teeny drama and silly, hip fighting scenes with something that I suppose has to be psychological thriller elements.
The entire film I had the idea that the target audience has to be 15-minus. The dialogues, the drama, the action, it is all awfully boring. I guess the only reason that I finished the film is that I was doing something else while watching it. Because I finished it, I will not give it only one star, so I come at….:
In this time-travel film a “looper” is a hired killer for criminals of the future who send back the people they want executed. Not too surprisingly one of those sent back has the plan to prevent being caught by killing the person responsible for his apprehension.
The film is alright. The story is not too original with all the time-travel films that have been released and there are no big surprises except for the obligatory one at the end.
Not a bad film, but it need not to be very high up your watch-list.
I expected a more over-the-top comic type of action film, but “Atomic Blonde” is more of a ‘normal’ action film. A hip one though, perhaps reminding a bit of the recent “Baby Driver“.
The film is set in 1989 Berlin, the year that the wall fell. Lorraine Broughton (a very pretty Charlize Theron) is sent to recover a killed agent, but in fact what her assignment is, is the recovery of a list of all spies that has been stolen. Lorraine is a very womanly agent, but also a fighting machine, so the film contains a lot of that. The story keeps toying with the who-is-loyal-to-whom theme.
Playing in the 1980’ies the film uses music from that time. It also has nice filming and colours.
Perhaps not an instant classic, but an enjoyable Hollywood action movie.
This lengthy film has been on my wishlist for quite some time. For some reason ‘my usual film dealer’ does not have it.
Barry Lyndon is a young Irishman who lives in the 18th century upper class. He does not appear to be too fit for that upper class so, so he is forced to leave. Joining the army and travelling to the continent to fight Napoleon and his troops, Barry soon starts to find ways to get away from his duties tumbling into different adventures. When he finally works himself back into the upper class, Barry does not really prove himself to be a gentleman.
Compared to “A Clockwork Orange” (1971) “Barry Lyndon” is a very normal film, a costume drama. Kubrick appears to like to try different types of film. “Barry Lyndon” is not boring, but not a must-see either.
Keanu Reaves is John Wick, a man who looses his wife and shortly after some punks steal his car and kill his dog. What the punks do not know, is that Wick is the best killer around. What Wick does not know, is that one of the punks is the son of an influential high ranking criminal. Wick goes after the son, killing everybody who gets in his way.
Violence for the sake of violence with little story. There are some amusing findings in that little story though, such as a save hotel for criminals and rules of conduct in feuds.
The music is great and Wick’s anger comes across well. For the rest “John Wick” is but a violent action film.
Something different from all the scifi I have been watching lately. “The Hitman’s Bodyguard” is an over-the-top action spectacle with Samuel L. Jackson (born 1948!) who has a lot of fun playing an unkillable killing machine who is chosen to testify against the dictator president of Belarus.
The film starts with a job gone wrong of “Triple A” security man Michael Bryce (Ryan Reynolds). Of course later on he will be the one to protect Darius Kincaid and the two appear to have a past. Much more than they thought beforehand as we will find out. The two develop a love/hate relationship on their attempt to travel from Manchester to Den Haag (The Hague) where Kincaid is supposed to testify. On their extremely bloody route they are followed by violent Russians who want the two dead. The duo makes a stop in Amsterdam where the foul-mouthed wife of Kincaid (Salma Hayek) is imprisoned.
No surprises here. The film is full of shoot-outs, violence, grim humour, chasings and everything you expect from an action spectacle. My own country is covered pretty much with lengthy scenes in Amsterdam and a few in Den Haag.
Brainless action for a brainless evening. Entertaining.
This could well be(come) a modern classic. “Baby Driver” is a hip and well-written action film with good humor and great use of music. Especially in the first part, the music and film are integrated to the extreme.
The title refers to a young man who drive getaway cars for bank robbers. He is a music addict who times his job with his music. Most other characters prove to be music lovers too, so that makes a big theme for the film.
The story is perhaps not really surprising, but it contains nice details and a lot of good and subtle humor.
Recommended when you are out to watch something light.
Number three of the Dan Brown Hollywood merch is not too interesting. The story is a bit Bond-like. A ‘bad guy’ has plans to eradicate a part of humanity and Langdon sets out to prevent that. Of course he is accompanied by a lady. The ‘puzzle’ this time revolves around Dante, but even more so this time, the puzzle is obligatory. It is but a trail of the ‘bad guy’ in case he cannot fulfill his own plan himself.
“Inferno” is again a fast passed adrenaline rush with continuous chasing and escaping. There is a somewhat annoying amount of changing loyalties, undoubtedly to surprise / confuse the viewer, but it does not make the film any better
A fairly weak action film with a not too interesting story.
I am sure that I saw the 1996 original, but do not remember much of it. The follow up has so many references back, though, that things have come back.
20 Years after the original film, the world still celebrates the victory over the alien invaders of 1996. A new attack follows on that very day though and some people from the previous victory are brought back to fight the new danger.
“ID: Resurgence” has all elements of a corny Hollywood spectacle. The action is overwhelming, there are bad jokes in scenes with high tension, obligatory romance, good-looking heroes and of course a big dose of American nationalism. The story is thin and I do not find the CGI really groundbreaking.
So, this second ID film is a typical Hollywood production. Not badly done but in not a single way surprising. A typical film for a night with brainless action.