This is a very slow and fairly grim crime film. Mel Gibson plays Brett Ridgeman, an old and cynical police officer who goes in a little too hard catching idiots. When he is suspended he takes up an idea to provide for his family.
Ridgeman and his also suspended partner Anthony Lurasetti (Vince Vaughn) start following a drug dealer with the idea of taking some money that he does not need anyway. Of course things do not go entirely as planned and Rudgeman and Lurasetti run into a much bigger piece of crime than they hoped.
Quite some actors appear on the screen. Don Johnson, Udo Kier and Jennifer Carpenter. This does add a bit to the film, but it remains a quite nice, but not great film.
My girlfriend wanted to watch a comedy on Christmas Eve and we came to this Turkish scifi persiflage.
Carpet salesman Arif Isik is kidnapped by aliens and is taken to the planet Gora. There he mingles with other abductees and tries to figure out a plan to escape. Naturally this also involves rescuing the daughter of the king.
The film has a lot of silly humour, sometimes funny, sometimes less so. There are quite some pranks that I think are probably funnier to Turkish people as they seem to refer to tiny elements of Turkish culture.
That said, “G.O.R.A.” is somewhat of a screwball comedy with references to many science fiction films from Star Wars to The Matrix. The stages look good, the characters are somewhat flat. Here and there it is amusing, but it does make me remember why I do not watch comedy a lot.
Lars von Trier made a bit of an American Psycho type film. We follow Jack, a man with an obsessive-compulsive disorder but mostly a serial killer. The combination leads to Jack cleaning up houses of his victims thoroughly and checking multiple times for remains of blood.
We have Jack telling his story to his psychopomp. We get flashes of his violent youth, brutal murders and the things that go around in his head. All this is told with cold humour.
The filming seems to have been hand-held, but not completely ‘Dogma 95 proof’. It is mostly the way of filming that takes the film down a bit.
“The House That Jack Built” is a descent film, especially when you start to figure out how the film is meant to be. It is not a masterpiece, but when thinking big about the films that I saw from Von Trier, it is probably one of his better.
Scorsese made a classic mafia film with classical mafia film actors such as Al Pacino, Robert de Niro and Joe Pesci.
Robert de Niro is the man from the title, a small time man who works himself up in the mafia ranks. Pacino is great at the overheated head of the truckers union and became one of the most powerful men in the USA.
The Italians in the USA have their hands in many businesses, often illegal. When the Kennedys rise to power, they start to get opposition, but fortunately that problem solves itself. Then internal problems occur that need to be taken care off.
“The Irishman” is an alright mafia film that in my opinion needed not to last for three-and-a-half hours. I must say that De Niro does not really convince.
This interesting-looking Netflix series is rated 8.1 on IMDb.com. So far I have had more luck with series on Netflix than with films. To me, “Altered Carbon” is by and far no 8.1 though.
The story is a bit thin. At some point humanity found a way to put a personality (or consciousness) on a disc (“stack”) that can be put in the neck of any body (“sleeve”).
Takeshi Kovacs is an “envoy”, a rebel soldier, who had been in “cryosleep” for 250 years (“put on ice”) after which he wakes up in a different body. As ‘the last envoy’ he draws attention. Then he is hired by an extremely wealthy man for a job in trade for his freedom. The case: the man has been killed, but fortunately he keeps a backup of his “stack” on a satelite, so he can just download himself and put himself in a new (newly cloned) “sleeve” when the old one perishes.
All good and well. Muscle-body Kovacs sets out to investigate. He is constantely followed by police-woman Kristin Ortega. Of course they run into all kinds of situations that make some action, romance or drama. The story gets less and less interesting as we go along. The series have some nice findings here and there, but overall, it is amusing at best. I doubt I will ever watch the second season.
For a long time have I wanted to see this film. Mary Sweeney is a long time collaborator of David Lynch. She was the editor of some of his films, produced a few and even wrote some. The two were even shortly married.
It was quite an ordeal to be able to see the film. For many years I knew of no way to watch it. It seemed unavailable on DVD or otherwise. A while ago I ran into it on Amazon Prime, but only in the USA. Shortly after, Amazon started selling a DVD, but it is not shipped to Europe! Fortunately I have a way to work around that.
So 10 years after its release, I got to see “Baraboo”. No, I did not expect a dark Lynch-like film, but I sure was curious was this long time Lynch collaborator would have made for her only full-length film so far. The cover suggests a bit of a “Straight Story” approach. (I have not reviewed that Lynch?!?) The fact that Sweeney wrote the story of that film adds to the suggestion.
And indeed, “Baraboo” is a small, minimalist, slow, somewhat melancholic drama, just as “The Straight Story”. In a small and remote American community, we follow a handful of people. A mother who runs a motel, a gas station and a shop. She is friendly with a very goodly man of her age and has an adolescent son. This son is on the brink of derailing. In her motel an elderly local woman moves in. She is very direct and manages to bring all people together with her unusual way of approaching people.
As you can see on the cover, Sweeney used very bright colors. This is in all ‘day scenes’. The many ‘nights scenes’ are dark with little contrast. The atmosphere of “Baraboo” reminds of “The Straight Story”. Likable people who are easy to empathize with, some cooled humor. A small, all American story.
What an actor. Joaquin Phoenix plays a man who laughs when he cries and Arthur Fleck laughs a lot.
I guess you have heard by now that “Joker” is not a Batman-style (anti-)superhero film, but a pretty heavy drama about a troubled man in a troubled city.
Fleck is a clown for hire, but he is not quite right. Also the rising tendencies between the undercurrent of society and the rich elite, personally affect Fleck. His hard-humoured colleagues do not help his situation either.
When Fleck starts to take the situation in his own hands, he slowly becomes the face of a movement that is not entirely unlike the social uproar that we see around the world today.
“Joker” is mostly a drama and as I said, a fairly heavy one too. Towards the end despair goes over in violence, but do not expect hip action.
Michael Finkel is a star journalist, but in his enthusiasm he makes a mistake. A new story pops up when a man who allegedly murdered his family, used Finkels name during his flight.
Finkel goes to interview Christian Longo in his cell. The latter proves to be a fan and the interviews give Finkel the impression that a great book could be the result. He does not really have the support of the public, who want to see the man who murdered his family dead and are not interested in Longo’s side of the story.
As Longo’s story continues, it becomes less clear if he really did it and Finkel starts to backtrack the events continuing to interview Longo receive his lengthy letters and writing the book.
“True Story” is an alright drama with some ‘court thriller’ elements as was popular in the 1990’ies.