In six slow paced episodes, accompanied by a 1980’ies style synth score, we follow the expressionless Miu, usually wearing a high collar tracksuit. Miu is the quiet helper who seems to have deep waters. Sounds like a Refn, right?
It is easy to make comparisons to Refn’s other work, especially “Drive“. Some think that his “thing” has been worn out. There indeed are not really surprises when you are familiar with Refn’s work. On the other hand, it is not often that I get to see new material that is interesting to watch, so “thing” or not, I enjoyed watching the “Netflix original” “Copenhagen Cowboy”.
So, Miu is a quite woman who is not easily disturbed. Not even when she as an immigrant ends up in a Danish brothel ran by country mates. When she gets out, she lands in the dark underground of another immigrant community. Ever unshaken she makes an effort to help people.
In his familiar long camera shots, very slow pace, little dialogue, no explanation and an occasional outburst of violence, Refn takes us through a story of which it remains unclear if it really is a story or rather a collection of scenes. The atmosphere is similar to other works as is the approach.