The second part of “Public Enemy Number One” simply continues where the first part left off. Jacques Mesrine continues to play with the media, gets caught a few times more and escapes again, he runs into a new woman and meets his new partner. Also Mesrine starts to develop (semi-)political ideas and begins to see himself as a revolutionary. Nothing much changes compared the the first part, but the picture-in-picture effect is no longer used. The film ends the way the first part started. Also the second part is enjoyable, but I wonder why the whole story is stretched over two films.
