I have recently reviewed a few books about (extreme) industrial music and wondered why there is so little information about the German scene in them. To me it seems that German industrial culture has made (and still makes) a big mark on the industrial underground. Well, here we have a book with a title referring to Genocide Organ, so that is a good start.
Fight Your Own War: Power Electronics and Noise Culture is a collection of essays from a variety of authors and with a variety of subjects. After a foreword by Mike Dando (Con-Dom) and an introduction by the editor, we set of with The Genesis of power electronics in the UK. This is, of course, a historical view on early British power electronics with anecdotes. This is probably the better known part of the book, but we also get a similar insight in the Finish, Japanese and American scenes. In Japan noise seems to be experienced differently from Europe or America. There are essays more circling around one project or one person, but also one about the ‘zine culture.
The second part of the book is more focused on the experience of noise and power electronics. The texts here are about experiencing the music life, the shock tactics that are used, the making of these types of music, the development of the scene, etc.
The third part puts the stress on philosophy and ideas, or the lack of them, used many artists. Power electronics as comedy; but also texts more critical towards the scene such as the fiercely feminist text by Sonia Dietrich.
Fight Your Own War is informative, not specific to any part of noise music (not excluding noise rock for example) or a period in time (we go from the early days to 2015). There are reviews and reports of live events, but no interviews. The book is styled like a magazine of times past and makes a descent read. It seems to aim at a more academic level in approach. What stroke me as a bit odd, is the use the terms that appear to be established, but I never ran into them before. “HNW” (‘harsch noise walls’) and “ANW” (‘ambient noise walls’) to refer to certain styles of noise also written as “wall noise”. This appears to be a different style from what I calls “walls of noise”. I guess in Gangleri terminology “HNW”, and especially “ANW” would be “noisescapes” since both appear to be hardly changing sound collages.