Icelandic Magic – Stephen Flowers (2018)
Almost three decades after the first edition of his Galdrabók Flowers comes with a follow-up. That book ran out of print rapidly and became wildly expensive. A later reprint (that I reviewed) was pretty expensive as well, but later on the book was again reprinted and it is now well available and affordable. There is also an English and Icelandic edition.
Just as in his Galdrabók, Flowers mostly fills the pages of this new book with introductory information. This again is interesting. Flowers made me feel sorry for not having had the time to visit Strandagaldur, the museum of witchcraft and sorcery when I was in Iceland. The fact that this museum exists proves Flowers’ point that Galdrabekur (‘magic books’) have remained popular in Iceland for a very long time. They were influenced by similar books from the continent, from which many spells were taken, survived the coming of Christianity and (even though less popular) the Reformation. Practitioners copied books, added their own spells and sigils and thus created their own books. Quite a couple of them have found their way to the National Museum of Iceland where Flowers studied them.
In his lengthy introduction the author sketches the history of the books, gives an idea of the lives of some magicians (many Christians!), says a few things about the ‘light’ and ‘dark’ versions and towards the end has a “grey book” part with spells and signs. Flowers wanted to create a practical book of magic, so he explains how the sigils are built up, how you can use them and how you create your own. At the end some pages are left blank so you can add your own workings and create your very own “grey book” just as the Icelandic magicians did in the past (and present).
The introduction is again interesting. The “grey book” part does not contain many interesting or useful things (in my opinion), but in the appendices Flowers has Furtharks with short explanations, but also a couple of magical alphabets with rune-like symbols with their corresponding letters and explanations which could be a handy reference to decipher symbols or writings that are not (obviously) made of runes.
The author says that Icelandic magic is the easiest form of magic. It does not need elaborate preparations and lengthy texts. All spells and sign have been ‘tested’ and he encourages his readers to try them out. Having read the book, I do not really feel to the need to ‘leave the armchair’ though. The proposed workings do not at all appeal to me.
Each to his/her own! Flowers made a nice addition to an old publication shedding light on a curious part of Icelandic history.
2018 Inner Traditions, isbn 1620554054