In 2004 Maria Kvilhaug presented her dissertation at the department of culture at the University of Oslo. The dissertation was published (I think) but I have never been able to lay my hands on it or it had that ‘academic publishers price’. In 2009 a slightly more affordable version was published. Slightly, since Amazon has the 168 page book listed for $ 95,- which is pretty steep.
As in her later publications Kvilhaug has a quite unique approach to elements in Northern mythology. In this book she investigates the image of “the maiden with the mead”.
Initially this may seem a small subject. We know of images of female figures with a drinking horn for example and in myths and sagas sometimes women are mentioned serving drinks, but in Kvilhaug’s book the subject is much bigger.
Kvilhaug sees initiation stories in these myths and sagas. With Eliade, she sees different kinds of initiations. The maiden is not only the initiator (the mead and her embrace are the goal of the initiation), but also represents its goal as the “Great Mother”. That this is not just a feminist explanation of details in the stories, Kvilhaug shows in detail. She compares different myths and sagas and shows how “the maiden story” is, often not too obviously, present in many stories that we are familiar with. The maidens may seem to be of different kinds, giants, goddesses, queens, but in Kvilhaug’s analysis there is a structure composed of different elements that she finds in the different sources. This gives an interesting approach to famous stories of, for example, Odin’s hanging on the windy tree, his stealing of the mead, but also the Sinfjötli werewolf story.
My main aim […] is not to decide what the hero is initiated into, but to prove that the pattern, the structure of themes, exists, and thus, a “Maiden mythology” reflecting initiation.
An approach I have not come across often even though the thesis is already 17 years old.
2009 VDM Verlag, isbn 9783639161359