Written In Blood * Mindaugas Peleckis (2015)

I am not completely sure how Numen Books came to publish this book. It is a collection of interviews that Peleckis did, mostly with musicians. I cannot say what period the interviews span. Initially I had the idea that Peleckis was a youngster interviewing band for some website, but the man is actually as old as myself and he has published more books. Peleckis is from Lithuania (but lives in London?) and this is his first book in English. I think there are other interviewers whom I would prefer to collect their interviews and publish them in a book.

Most interviews are not too interesting. Peleckis tends to ask the same questions over and over again. This is perhaps not so noticeable on a website, but when you read a book with interviews, it can be quite sad. “Could you please tell me about your main influences. What books, music, films and other things impress you?” Almost every person, no matter from what background gets the question: “What do you think about the thousands of World Music / Neofolk / Industrial / Ambient / Tribal / Electroacoustic / Avant-garde bands/projects? Is it a kind of trend, or just a tendency toward better music?” Or what about: “When I first heard your music, it impressed me so much I still can’t forget the impression.” Every person’s who is interviewed who has written a book, this book is “revolutionary”. And not to forget: “The sound is magic. You’ve proved it. But what ends when there’s no sound?”
With just a handfull of questions, the length of the interviews depend on how much effort the artist put in it. Some only give two-line answers, some complete epistles. This does result in a few nice to read interviews. Patrick Leagas gives his view on the early days of Death In June. Robert Taylor a nice lecture on Asatru. Peter Andersson (Raison d’Être) gives a peek into his soul.
There musicians that I know, but many that I never heard of. Many of them seem to be “sound artists”, others doom or stoner metal artists, even a group that makes music with vegetables. The variety of people involved is a merit to the book. The biggest surprise to me is Alexander Dugin, the controversial Russian thinker, who does not really come out too well from the interview. I do not know if the interviews are presented chronologically, but the last artist, Z’ev, is about the only person who has an answer to the “when there is no sound” question. What what answer. What a guy!

“Written In Blood” is an alright read, but not much more than that. If one of the artists involved interests you and (s)he happens to have been in the mood to give some proper answers, the book could be a good buy. More out of general interest, I could say that you can just buy it, put it somewhere and read an interview every now and then like you would when you follow Peleckis’ website.

2015 Numen Books, isbn 0994252560

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