Usually, when something is popular, it drops on my list of preference (should it have made it’s way there in the first place). Harry Potter is one such thing. The fact that they are kids films does not help either.
Twice, at uncommon times when I was ‘zapping around’ on TV, I ran into a Harry Potter scene in which the kids were repotting Mandragoras. When you know that a Mandragora is an alchemical symbol for a plant that is also a little man (homunculus), that scene is pretty funny. For many years I was mildly curious if more such elements have found their way into the films, scenes in with ‘inside jokes’.
Many of the films that I see come from a rental company. I have a subscription for four films per month. Usually this is enough, but I try to have some ‘extra’ films just in case I run out of rentals. This can be anything from the buying of films that I already know but never bought, to the buying of cheap, second hand films that I do away with after watching. Harry Potter falls in the latter category.
By now, I have seen four Potter films. “The Philosopher’s Stone” (2001) was alright. “The Chamber of Secrets” (2002) is the film with the Mandragora scene and it is alright too. I am less enthusiastic about “The Prisoner of Azkaban” (2004) and “The Goblet of Fire” (2005). So little even, that I wonder if I feel like watching the other four ‘episodes’.
It is not like the films are terribly boring, but they are not very interesting either. The kids fall into some forced adventure which are mostly a step-up for spectacle and a little humor. I see little ‘inside jokes’ or good atmosphere. All too popular for my liking I guess.
If no corrective measures are implemented, the consequence could be that the remaining initiatic and ritual vestiges based on metaphysical and esoteric doctrines dating back thousands of years will be transformed even further into a squalid syncretism of a pseudo-initiatic nature.
Fabio Venzi in Studies On Traditional Freemasonry p. 179
It may thus be concluded that the desacralisation and demythicisation of the modern world have markedly affected Freemasonry, which, although continuing to undertake its ancient rituals, has evidently not been capable of removing itself from the chaos of time and maintaining intact its heritage of initiatic and esoteric knowledge.
Fabio Venzi in Studies On Tradition Freemasonry p. 178
The requirement of delimiting the “sacred” space wherein the ritual will be performed consequently implies an additional characteristic of Freemasonry and all initiatic societies: secrecy. The latter term however does not indicate actions conduct in the shadows, but rather a need to remain “segregated” from the rest of the world, to confine oneself to a “sacred” space in which to seek contact with a higher dimension, removed from the rest of the world lingering in a state of chaos and instability. It is solely by means of detachment from the cacophony of everyday life that the vertical pathway can be approached.
Fabio Venzi in Studies On Traditional Freemasonry p. 177
Undeniably, during the eighteenth century “several” Masonic bodies in Europe introduced the principles of enlightenment into their rituals, this distorting their esoteric and initiatic origins. In these Obediences the ritual has gradually been deprived of its true symbolic significance and replaced by commentaries and exegeses characterised by a desolating banality and a dull moralism reminiscent of the “century of Enlightenment“. This “progressivist” degeneration of the principles of Freemasonry has consequently led to a misconceived interpretation of the concept of Fellowship, increasingly construed as an independent “individual subject” invested with a real power within the context of sociopolitical confiness, or levelling out into a form of essentially moral and material soliddarism.
Fabio Venzi in Studies In Traditional Freemasonry p. 170
Of all the theories that have harmed and proved particularly damaging to a correct understanding of Freemasonry, one of the most commonly acknowledged maintains that the origins of Freemasonry derive from the Enlightenment movement.
Fabio Venzi in Studies On Traditional Freemasonry p. 170
Is there any degree of continuity between the Medieval “Operative” Masons and the modern “Speculative” Freemasons? Personally I am do not hold with the idea of a temporal continuity, although it is however undeniable that the “operative” Freemasonry to some extent inspired the choice of Masonic symbols. Indeed, Tradition of which Freemasonry is a “form”, was established following the inspiration of numerous other lesser traditions, as the intuition of a being needs to be provoked or assisted through human actions in so far that the crafts may be consecrated: thus, each utensil, each gesture of the craftsmen may be seen as the symbol of a step towards the intuition of a perfect being.
Fabio Venzi in Studies On Traditional Freemasonry p. 153/4
I have mentioned previously how Freemasonry subsequently transformed from an “Initiatic Society”, degeneration into a fraternal association of mutual assistance that would have found the height of expression in the Obediences strongly bound to the ideals of Liberty, Equality and Fraternity.
Fabio Venzi in Studies In Traditional Freemasonry p. 95
There is no doubt that in Masonic rituals the esoteric component first became dominant, using symbols and allegories (the tools of the craft first and foremost) only at the start of the eighteenth century. It may thus be concluded that although Freemasonry was mainly developed initially as a system of morals it undeniably evolved into a true “initiatic Order”, and the retrospective introduction of the Legend of Hiram is proof of this.
Fabio Venzi in Studies on Traditional Freemasonry p. 92
I do not listen to X Wave Radio as much as I used to (I liked their music better before than I do now), but I have noticed great tracks of a project named Kein Zweiter. The music sounds old so I tried Soulseek without succes. It proves that the music is actually recent, Kein Zweiter has two releases which can be purchased at Bandcamp! Continue reading